Sigrid – Sucker Punch

It’s possible, that at some point, I am legally required to talk about this album (not really). I don’t listen to a ton of Sigrid currently, though I have not moved on or anything, there is just so much other I want to listen to. I also probably burned myself out on Sigrid listening to her TOO MUCH. Her album, Sucker Punch still has a special place. I’ve always been into music, but I’ve never really been, ACTIVELY into music. I’m not any level of “hardcore” or anything, but there was kind of a perfect storm moment around me discovering Sigrid that lead to me being more active in music communities and actually caring about music on a slightly higher level than I had previously.

There probably isn’t anything particularly special about this album, like I said, it just got caught up in the perfect storm moment. That isn’t to say it isn’t a good album, I actually really really like this album. Checking my YouTube History, it looks like I first listened to Sigrid, and the song Sucker Punch on November 18th, 2018, though I didn’t listen to it again until February of the next year. Something inspired that though because my YouTube history says I specifically searched for it. Anyway, the history shows I watched some Selena Gomez, Taylor Swift, and Kiesza videos, then right before Sucker Punch, 5 Seconds of Summer – Youngblood (Alt Version), for some reason, and then Sucker Punch, which was likely a recommended video.

Sometimes through 2019, I started listening to Sigrid a lot. Also through YouTube, there was one of those banners, “Tickets in your area.” I didn’t really do a lot of concerts then but clicked through on a whim. The tickets were cheap, super cheap. I bought some, immediately. At some point, I also joined the fan Discord server. There was a fun active community there, most of whom migrated to the new official Discord earlier this year. This was also the start of actively seeking out Discord servers for communities of artists I like, though the only others I ever really participated in actively were CHVRCHES and Aurora’s servers.

I think what drew me in was how, weirdly simple the video was, and how slightly weird it was. It’s just Sigrid dancing around in a kind of cocky way, despite not really looking like someone who would BE cocky. Then there’s that fun montage of clips at the end, with some anime clips and like, she’s in a grocery store throwing food on the floor. WHY DOES SHE HATE THOSE TACOS??? Why is that marching band so sinister???

It also has some really slick editing on some of its transitions, which is really appealing to me.

And that point at the end where the music drops out. Excellent.

But there’s a whole album of songs here, just because the album and the first song I listened to from Sigrid bear the same name.

Mine Right Now is the second track of the album. I really love the running retro-sounding underlaying track on this one. It’s also a fun song suggesting that even if a relationship doesn’t work out, at least it’s good “now”. It also has an incredibly amusing video.

The third track, Basic, is my favorite released track and second favorite track of Sigrid’s overall. It’s even better in the live version (almost all music in general is). A lot of Sigrid’s tracks have to do with relationships, either friendships or possibly romantic, and Basic is one of those. The idea is that you just want something authentic and basic, without drama, with its simple wailing vocals. Like Sucker Punch, it features a fun interlude moment as well, on the album version it basically becomes acoustic, on the live version it becomes a cappella.

(Side note, my favorite Sigrid song is Go To War, but I’ll probably bring that one up in a future post).

Another really good one (aren’t they all?) is Strangers, at slot number 4. This was also the second single released from the album. It also has an amusing and surreal video to go along with it, where Sigrid gets to dance around in her own sort of special way in a sort of open movie set. It’s kind of reminiscent of the idea of the song, which is almost the opposite of Basic, … Strangers, perfect pretenders, falling head over heels…. That sort of thing.

The first single for the album was track 9, and I believe it was her first “big hit” track in general, with Don’t Kill My Vibe. A fast-paced, pump-you-up anthem about keeping others from bringing you down.

In the interest of a bit of brevity, I wanted to sort of group the other tracks together a bit. They are all good, some I didn’t like as much initially, but they have grown on me over time, like Level Up, In Vain, and Business Dinners.

It’s probably also worth bringing up Dynamite. Sigrid has several “low-key” sort of songs, and Dynamite is one of those. It’s a good track, I just have never super been able to get into it. I think part of what I like about Sigrid is how carefree and upbeat most of her music is, and Dynamite, while a good song, is just such a different tone, I can never feel the vibe.

Anyway, this is one I’ve been meaning to write up on for a while. And so it’s done. I’m sure at some point I’ll get to Sigrid’s second album How to Let Go, and I’ll probably do a combined write-up on her two previous EP releases. I also want to do a write-up for the “missing album”. Sigrid has a large number of unreleased older tracks. They don’t exist anywhere except live show performances. Enough to fill a whole album. It would be worth doing a write-up of these I think, as it it were an album. (Go to War is one of these tracks.)

My Music Listening Habits for 2020

Yeah, those monthly updates were kind of bleh, so I dumped them. But I still want to do a yearly wrap up. Though overall there isn’t a lot that’s surprising to me about the yearly stats.

The year was dominated by most of the artists I would expect it to be dominated by. Sigrid, Tessa Violet, Aurora, CHVRCHES have 14 of my top 25 albums. This grid doesn’t even include a few additional Sigrid “Albums” of live tracks that don’t properly show up so they get filtered.

Anyway, a bit better breakdown…

I am actually surprised that Sigrid still topped the chart above Aurora. I’ve been listening to a TON of Aurora, and not just “recently” or something, like all year. Plus Sigrid hasn’t had anything new since November 2019, so I felt like I had been listening to her music less. I still had around 100 more scribbles on Sigrid than Aurora. Tessa Violet, I’m less surprised about. I’ll comment a bit more later, but Tessa Violet has kind of dominated my individual song listens, she just… has less songs.

CHVRCHES has been kind of slowly building up more and more in rotation, and I expect them to continue to come in pretty high going forward as well. Another sleeper to look out for next year will be Dodie, at number 13. She only has a handful of tracks, and I’ve only recently started listening to her, but I really like her music, and next year, she has her first full album coming out.

On the “falling” list, I’ve hardly been listening to Alice Merton and Kiesza lately. Nothing wrong with either, they just sort of, have fallen off the rotation. And despite both ranking high, Dua Lipa and Carly Rae Jepsen were never really in the rotation. I’m honestly not sure how either is so high.

There are also a few of my more mainstay artists making a showing. The Who, BT, Pink Floyd, Avril Lavigne, Alanis Morrisette, Taylor Swift. I’m a little sad that Raffaella only really had one new song recently. She was the opening act for Sigrid when I saw them in 2019 and I really like her music. She has put out one track, Bardot, and a collaboration track called On the Look Out, that may as well just be a Raffaella track.

My single top track for the year, is, without question, the “2020 Anthem” of Bored.

Granted, this track is older than 2020, but it got a music video in 2020, and it kind of just sort of… fits the feel.

Half of my top ten were Tessa Violet tracks, so like I said, she kind of dominated on an individual track list. Everything else is about as expected, though I would have thought more Aurora tracks would have made the cut for that top 20.

Anyway, if you want, you can always just follow me on Last.fm.

My Music Listening Habits for April 2020

Well, it finally happened.

After a very long, very strong, 9 month reign as Queen, Sigrid has been dethroned from my top artist for the month. And by a rather huge margin. Funny enough, she has been dethroned by someone she knows, who is also a Norwegian singer, AURORA. It was a one-two punch though, because Sigrid has dropped to number three, not number two, with Tessa Violet sliding in at number two.

I can’t honestly blame the VierLive show entirely for Aurora’s rise here, she has been on sort of a slow bubble for a while now in my listening patterns. It certainly likely helped things along however. I would point to Tessa Violet and say she wasn’t helped by any live shows, but well, that wouldn’t be true. I have not watched all of them but she has been doing two weekly Youtube shows on Youtube. Though those are quite a bit … less structured.

Moving on a bit, Dua Lipa had a new album drop, Future Nostalgia, which is has a pretty nice sort of old school syth-pop feel going on with it. BT has been getting a bit of a resurgence lately, though it’s mostly just listening to These Humble/Hopeful/Whatever Machines again a bit. I can never remember which is which on those albums.

The rest of the top ten isn’t anything particularly exciting or new. The 5×5 is kind of all over the place as well, since I’ve been listening to a lot of random techno music lately so there’s a lot of kooky random stuff on there. The weird thing is, I don’t thing BT is on it either at all, despite being number 4 for the month.

Here is the 5×5 though, for the sake of consistency.

Vi Er Live – Sigrid and Aurora (Somewhere Else, 2020)

Last year when I went to see Sigrid in St. Louis, I told my wife afterwards that I wanted to go to more concerts. That plan clearly isn’t going to pan out to anything with everything going on. What I have done though is watched quite a few virtual concerts. The Somewhere Else Festival (Et Helt Annet Sted) presented at ViErLive.no is actually the fourth live show I’ve watched from Sigrid int he past month. The previous being a bit on the Twitch Steam Aid event, a short show on the IGTV from Levis, and one for the opening of an exhibit in KHÅK Kunsthall, on Facebook.

The Somewhere Else show is the first one that’s had any real production behind it, and it’s the first that had the entire bad. The first two were Sigrid playing Piano alone in her parent’s house, the KHÅK Kunsthall show was Sigrid alone playing piano in the museum. The Vierlive show is also different in that it was a paid event. You could buy a festival pass for 500nok (~$50 USD) or individual shows for 100nok (~$10). Super affordable. Most of the shows also included a VOD replay, though sadly (irritatingly), neither the Sigrid nor the Aurora shows have a replay option. I really hope there is some planned release of these shows as both were really stellar.

Despite not actually being live with Sigrid in person, the virtual show was really enjoyable and well done. For one, I am pretty sure it was all one camera shot (the Aurora show had a couple of cuts to alternate cameras). The sound quality was top notch incredible. Most of he songs had a much different tone and feel from normal as well, which really spiced things up a lot.

The show opened with Sigrid chatting in the chat room before going into Level Up on the couch, then moving to Basic in the room, both songs with only Kristina on backup vocals and Sondre on guitar. Then we follow Sigrid alone up to the main stage where the rest of the band (Kasper, drums and Peder, keyboard) were waiting playing a lead in riff before Sucker Punch. One one point they all went and say in the theater seats to play a nice acoustic Plot Twist. We also got a couple of piano tracks (on a nice grand piano and not the usual keyboard) of Dynamite and Home to You. Probably my favorite part was the rock and roll intro for I Don’t Feel Like Crying, with Sondre going all out on the guitar.

I also really liked how each song (11 total) had it’s own feel and set up for how it was presented. Only Dynamite and Home to You were similar, and that’s mostly just because it was Sigrid doing vocals and piano solo, so there isn’t a lot to mix up there.

Of course, being a virtual concert, it’s kind of hard to take photos, so here’s some screen shots instead.

I kind of was worried that these shows were going to be pretty basic, more Sigrid at her Parent’s Piano doing 3 songs, or some sort of funky out of sync Skype conference between the band members. The name is Sigrid, but frankly, I like Sigrid with her band more than I do just Sigrid. They all just mesh so well together. Part of what I really liked about this show was that on some level it amounts to a Studio Quality performance by the band. I am pretty sure a lot of Sigrid’s tracks on the album, don’t involve the band, but more synth. Not all of them, but most of them. I could be totally wrong. I like the live concert videos more than the regular tracks, but you often end up with dodgy audio on concert videos. This show is the best of both, and it was so well produced.

After how impressive the Sigrid Show was, I opted for also watching the Aurora show. I know a lot less about Aurora’s music than Sigrid, but I do like the tracks I’ve been listening to. And I’ve been listening to more and more of them over time. Aurora is arguably more popular than Sigrid though, I mean, she was part of a major Disney Movie (Frozen 2) so that alone kind of pushes her higher.

The point is more, I had less idea of what I was going to be seeing with Aurora. I was a bit disappointed initially, the first three tracks were Aurora singing and dancing in front of the white curtain (below). While it was good, I was a bit disappointed that there was less overall change of scenery between tracks like with Sigrid. A few tracks in that changed.

I can’t tell you all of the songs in this set, but around A Different Kind of Human, she started to move off the stage and a lot more visual effects started to kick in. Unlike Sigrid’s show, Aurora’s band (not sure if it’s her band or a band), was behind the scenes and off camera until the end of the show. There was a real band though. You could see their shadows behind the white curtain and like I mentioned, they showed up at the end for a brief introduction.

The biggest stand out of the performance from Aurora was the level of energy and raw emotion she puts into her music, Especially as the show reached it’s climax with Running with the Wolves. It’s also a crazy level of contrast with when she speaks and her overall small stature. The few times she talks to the camera it’s extremely soft and timid, she almost seems kind of afraid of it. But when performing, she’s something else entirely. She is the Queen of Warriors & Weirdos after all.

Overall the whole experience was well worth it for both shows. The main issue I had was less with Vierlive and more than neither show had a replay option, at the request of the music label. Maybe its something they plan to release later again in some form, but it really feels like kind of a waste of creative effort. Most of the other shows had a VOD option, tough a few others are also now unavailable. There also was a bit of a lack of communication by Vierlive until the last minute if shows would even have VOD options. It feels like there should at least be a 24 hour period or something, most of the shows didn’t happen at a time I could easily watch due to work, and other people mentioned having bandwidth issues. It just seems like it would have been the polite thing to do, even limited, this was a paid event after all.

Sigrid @ The Ready Room feat Raffaella (10/08/2019)

I don’t go to a lot of concerts, and of the 7 total I’ve been to of any merit, 4 of them weren’t really anything I would have necesarilly chosen. Three of them were country music that my wife and daughter wanted to see (Toby Kieth & Kip Moore, Lee Brice, Travis Tritt). Though the shows were enjoyable, country music isn’t my first choice in music genre. The main issue honestly is most of the artists I would want to see tend to be at huge venues and cost a few hundred dollars a ticket, so it’s just not really affordable.

So when I was watching some Sigrid on Youtube and there was a little notice below about a show “nearby” in St Louis, I figured, why not let’s see what’s up. It turns out, it was super affordable, and it’s close enough that I could always drive there and back in one round trip, even if it meant a late night. I asked my wife if she wanted to go, and mentioned that it was cheap enough that even if she ended up not being able to, because of her various come and go health issues, the extra ticket wouldn’t be a huge bust or anything. Fortunately, she came along as well.

We opted to make a little mini vacation of it, and I took a couple of days off work. I joked that we were having a Scandinavian vacation, since we went to IKEA (Sweedish-ish) during the day before seeing Sigrid, who is Norwegian, that evening. The day after we also went to the St Louis Zoo.

The show itself was at a little club called The Ready Room. I couldn’t find a ton about the place online before the show so I wasn’t super sure what to expect. It wasn’t a particularly large venue, and the maximum capacity listed was 750 people, so at the very least, it was going to be a fairly small crowd. We arrived around an hour early, plenty of parking available ont he street too which was nice. The excitement of the show kind of got ramped up here as we walked past the tour bus parked on the side of the building. There were a dozen or so people lined up outside, so we walked next door to a sort of open space pizza spot called Pie Guy Pizza for a quick bite to eat.

Doors opened shortly after we had arrived, and the line hadn’t grown much, if any, so we headed on in. The stage area was a mostly black room, but it was also much wider than it was deep, so there was a lot of width to the stage. I ended up standing right up front next to the rail, though off to one side. After a bit more wait, it was time for the show.

So, in addition to Sigrid, there was also an opening act, Raffaella, as part of the show. I’d never heard anything from Raffaella, so in the weeks leading up to the show, I added some of her tracks to my Amazon playlist. Probably my favorite song of the half dozen songs she has out is Balaclava, though in general, I rather enjoy all of her tracks.

I didn’t take any video of Raffaella, so you’ll have to settle for this iteration from Youtube. Funny enough, I had listened to this track enough that I was able to sing along for quite a bit of it during the performance. Her show was decent as well, though due to the wide nature of the stage, it felt a little crowded, since her band was set up in front of Sigrid’s Band’s gear.

Unfortunately, I only ended up with one sort of OK photo from Raffaella’s set. I wasn’t super satisfied with a lot of my photos from this event. My camera’s phone sucks, and I had inquired before hand about the camera policy of the club and got a sort of boiler plate reply that suggested I would not be able to bring my DSLR to the show. I had brought my daughter’s fixed lens midrange Nikon, but in the end, left it int he car, because I didn’t want to deal with if I would be allowed to bring it in or not.

After Raffaella’s set, there was a short intermission while the crew broke down the extra instruments and cleaned up the stage before the main act. I’ve watched a lot of videos of Sigrid’s Sucker Punch tour, so I had a pretty good idea of how the set would go. But still, it was quite exciting to actually be there as Peder, Kristina, Sondre and Kasper came out in the dark to take positions on stage. Then the familiar sort of ambient build up to the opening of Sucker Punch as Sigrid rushes out and starts singing the song.

I just want to say, it’s really something else to go see an artist that you really like, and get to be “right there”. Later, after the show, I commented to my wife that the whole thing made me really want to go see more live shows, but I’m spoiled now because I’ll probably never end up with this perfect combo again.

Having listened to all of these tracks really helped the whole experience as well, there’s something really fun about a crowd of people all singing along with each other all just in the moment. Sigrid puts on a really great show as well. She is constantly moving and dancing around the stage. She makes little call outs to the crowd. Possibly the best one, at one point she jumped out onto the platform on the backside of the railing in front of the stage and someone int he audience totally lost it. Sigrid commented that she “Didn’t expect you to scream like that.”

The band is great too, and sometimes I feel like they don’t get enough credit. Kasper does some great drum riffs, I particularly love him in the track Go to War. Sondre does some pretty good guitar work on the few times he gets to do his small moments to shine. I’m less familiar with Peder, as he is new to the group after some sort of unknown drama involving the old keyboardist. I also really like Kristina as Sigrid’s backup vocals. I’ve been listening to her album “Revet vekk” some recently. It’s all in Norwegian and has a way different vibe than Sigrid, but I find it pretty relaxing to listen to.

Anyway, I also really enjoy how every track sort of feels different. Some of them are heavy bouncy fast paced songs. Then you get more relaxed moments like in Dynamite, where Sigrid plays solo on the Keyboard, or Level Up where it was just Sigrid, Kristina, and Sondre.

My only complaint, which personally, isn’t a huge one, and I have no idea what the actual “blame” would be for it. Holy shit the show was loud. Like, literally, overwhelmingly loud at times. There were many times when I could basically only hear drums. There was a moment, probably during the heavy drum beats of Go to War, that I had resigned myself that I’d possibly be deaf after the show was over. I don’t know if the sound was cranked up too much, or I just wasn’t expecting it, or (most likely) I was standing 2 feet in front of one of the speakers, but it was LOUD. It was a good thing I was already pretty familiar with the music. Also, I suspect it was where I was standing, because my wife, who was standing behind/beside me, just off tot he side of the speaker, didn’t really mention having the same problem, even when I mentioned it.

Whatever the case, I would definitely go to another Sigrid Show, and I definitely want to go to more concerts in the future, though I may try to stick to smaller venues like this one, even if it’s not a band I am super familiar with. I’m going to wrap up here with the one video I did take, of my favorite Sigrid track, Basic.