Vi Er Live – Sigrid and Aurora (Somewhere Else, 2020)

Last year when I went to see Sigrid in St. Louis, I told my wife afterwards that I wanted to go to more concerts. That plan clearly isn’t going to pan out to anything with everything going on. What I have done though is watched quite a few virtual concerts. The Somewhere Else Festival (Et Helt Annet Sted) presented at ViErLive.no is actually the fourth live show I’ve watched from Sigrid int he past month. The previous being a bit on the Twitch Steam Aid event, a short show on the IGTV from Levis, and one for the opening of an exhibit in KHÅK Kunsthall, on Facebook.

The Somewhere Else show is the first one that’s had any real production behind it, and it’s the first that had the entire bad. The first two were Sigrid playing Piano alone in her parent’s house, the KHÅK Kunsthall show was Sigrid alone playing piano in the museum. The Vierlive show is also different in that it was a paid event. You could buy a festival pass for 500nok (~$50 USD) or individual shows for 100nok (~$10). Super affordable. Most of the shows also included a VOD replay, though sadly (irritatingly), neither the Sigrid nor the Aurora shows have a replay option. I really hope there is some planned release of these shows as both were really stellar.

Despite not actually being live with Sigrid in person, the virtual show was really enjoyable and well done. For one, I am pretty sure it was all one camera shot (the Aurora show had a couple of cuts to alternate cameras). The sound quality was top notch incredible. Most of he songs had a much different tone and feel from normal as well, which really spiced things up a lot.

The show opened with Sigrid chatting in the chat room before going into Level Up on the couch, then moving to Basic in the room, both songs with only Kristina on backup vocals and Sondre on guitar. Then we follow Sigrid alone up to the main stage where the rest of the band (Kasper, drums and Peder, keyboard) were waiting playing a lead in riff before Sucker Punch. One one point they all went and say in the theater seats to play a nice acoustic Plot Twist. We also got a couple of piano tracks (on a nice grand piano and not the usual keyboard) of Dynamite and Home to You. Probably my favorite part was the rock and roll intro for I Don’t Feel Like Crying, with Sondre going all out on the guitar.

I also really liked how each song (11 total) had it’s own feel and set up for how it was presented. Only Dynamite and Home to You were similar, and that’s mostly just because it was Sigrid doing vocals and piano solo, so there isn’t a lot to mix up there.

Of course, being a virtual concert, it’s kind of hard to take photos, so here’s some screen shots instead.

I kind of was worried that these shows were going to be pretty basic, more Sigrid at her Parent’s Piano doing 3 songs, or some sort of funky out of sync Skype conference between the band members. The name is Sigrid, but frankly, I like Sigrid with her band more than I do just Sigrid. They all just mesh so well together. Part of what I really liked about this show was that on some level it amounts to a Studio Quality performance by the band. I am pretty sure a lot of Sigrid’s tracks on the album, don’t involve the band, but more synth. Not all of them, but most of them. I could be totally wrong. I like the live concert videos more than the regular tracks, but you often end up with dodgy audio on concert videos. This show is the best of both, and it was so well produced.

After how impressive the Sigrid Show was, I opted for also watching the Aurora show. I know a lot less about Aurora’s music than Sigrid, but I do like the tracks I’ve been listening to. And I’ve been listening to more and more of them over time. Aurora is arguably more popular than Sigrid though, I mean, she was part of a major Disney Movie (Frozen 2) so that alone kind of pushes her higher.

The point is more, I had less idea of what I was going to be seeing with Aurora. I was a bit disappointed initially, the first three tracks were Aurora singing and dancing in front of the white curtain (below). While it was good, I was a bit disappointed that there was less overall change of scenery between tracks like with Sigrid. A few tracks in that changed.

I can’t tell you all of the songs in this set, but around A Different Kind of Human, she started to move off the stage and a lot more visual effects started to kick in. Unlike Sigrid’s show, Aurora’s band (not sure if it’s her band or a band), was behind the scenes and off camera until the end of the show. There was a real band though. You could see their shadows behind the white curtain and like I mentioned, they showed up at the end for a brief introduction.

The biggest stand out of the performance from Aurora was the level of energy and raw emotion she puts into her music, Especially as the show reached it’s climax with Running with the Wolves. It’s also a crazy level of contrast with when she speaks and her overall small stature. The few times she talks to the camera it’s extremely soft and timid, she almost seems kind of afraid of it. But when performing, she’s something else entirely. She is the Queen of Warriors & Weirdos after all.

Overall the whole experience was well worth it for both shows. The main issue I had was less with Vierlive and more than neither show had a replay option, at the request of the music label. Maybe its something they plan to release later again in some form, but it really feels like kind of a waste of creative effort. Most of the other shows had a VOD option, tough a few others are also now unavailable. There also was a bit of a lack of communication by Vierlive until the last minute if shows would even have VOD options. It feels like there should at least be a 24 hour period or something, most of the shows didn’t happen at a time I could easily watch due to work, and other people mentioned having bandwidth issues. It just seems like it would have been the polite thing to do, even limited, this was a paid event after all.

My Music Listening Habits for March 2020

So, not a particularly exciting month in Music. Despite actual effort on my part, Sigrid still tops the chart by a large margin. Tessa Violet comes in second. I actually watched both of these artists doing online live(ish) shows due to the Corona-virus. Though the Sigrid segment of the Twitch Stream event was pre recorded and not actually live. Tessa Violet has been doing some live shows on Youtube.

The soundtracks for Gris and Journey both make a return. They are both pretty similar in feel and are really great for “general distraction free listening”. Lindsey Sterling also falls into this category really.

In newer releases, Dua Lipa has released the full Future Nostalgia album and it’s pretty good. Good enough to already make it up into this monthly list. I’ve also been trying to give Taylor Swift’s Lover another go, though it just isn’t doing it for me.

Lastly, and kind of out of left field is the Gin Blossoms. The Gin Blossoms are performing in town in a few months and I was listening to them as a bit of a refresher to help decide if I wanted to try to get tickets. At this point, with all the COVID mess, the show will probably get cancelled anyway, but I opted for no, for now. I do enjoy Gin Blossoms, but at the moment, not enough to go to a show.

In general my music listening is down a bit as I’ve been listening to more Podcasts again. Mostly This Week in Tech, Windows Weekly, and WTF@TFW which finally started putting out episodes again.

My Music Listening Habits for February 2020

Not a whole ton that’s overly exciting this month. I did listen to quite a bit of BT, whom is one of my all time favorite artists, even if my time listening to his stuff comes and goes. I think there was a bit of earlier stuff that I didn’t associate as being BT that I liked, but I remember that Never Gonna Come Back Down was the track that really got me into listening to more of BT’s music. It was on the soundtrack for Gone in 60 Seconds. In the actual movie, they play this really neat super low key remix of Never Gonna Come Back Down that I have never been able to find a copy of anywhere. It occurs when they are stealing the Ferraris from the garage.

Another older album I used to listen to on repeat that came back briefly this month was Rollergirl. Last.fm suggests Rollergirl hasn’t had a release since 2002, which is probably around the time I was listening to this music. Also, apparently Roller girl is some German dude.

Still plenty of Sigrid and Tessa Violet going on. Plus a bit more CHVRCHES this month. I have to say, the more I listen to CHVRCHES, the more I like their stuff. Not that I didn’t like it before, I just, like it more.

Anyway, I’m just gonna close out here with a little Spotify Playlist I made up that collects together the more low key Sigrid tracks available on the service.

My Music Listening Habits for January 2020

I keep wanting to change these up to be by artist instead of album but there doesn’t seem to be a 5×5 generator that does artists and has images. Sounds like an excuse to do some coding, but I’m not sure it’s possible because it feels like something someone would have done.

So anyway, it’s back to albums. Which gets a little sloppy looking this month.

So, there has been one major change this month. Around the turn of the year, I got an email through work for 6 months of Spotify Premium. I usually don’t really go for limited time offers but 6 months is a pretty good chunk of time, so I decided to go in on that. I’m enjoying using Spotify, but I doubt I keep the subscription after the 6 months are over. In general, I prefer to buy music. It has been pretty nice for discovery however.

Most of that discovery doesn’t show up on this 5×5 grid though. It’s hard to make it to the top monthly list when you get played maybe 2-3 times within a playlist of others played 2-3 times. Going by the numbers, it didn’t really increase my overall monthly Scrobbles either.

I am honestly a little surprised that Sigrid is still my most listened to artist. She has consistently held that spot since I started listening to her music, and she has become my most listened to artist of all time. I’ve gone through several phases of listening to her music which has helped. There was a time listening to the Sucker Punch album, which is Sigrid’s most recent album. Then I was listening to tracks from live shows that are currently unreleased, some on Youtube (which also gets scrobbled). Then there was a period of listening to the previous two EP releases, Ray and Don’t Kill my Vibe. More recently, with Spotify, I’ve found a cache of tracks that are only on Spotify.

I want to roll of Sigrid to Amanda Tenfjord. Her music came recomended on some Sigrid fan channels due to her similarity in overall style to Sigrid. The music sounds similar, the album art sounds similar, she is also Norwegian. There were jokes that she was secretly Sigrid, though there is a definite difference in the vocals. I am probably not an expert enough to properly describe it, but Amanda Tenfjord has less range and sounds a bit more Tenor… maybe? Like there’s more low end going on in her voice. Plus there is a slight difference in their accents.

Moving on.

Still a lot of Tessa Violet sprinkled throughout the playlist. I mentioned last month that I expect her to stick around for a while, though I’m starting to wonder just how long. I don’t really like all of her songs like I do other artists who stick around for a while. Another one that’s all over this 5×5 is Carly Rae Jepsen. I’ve enjoyed Carly’s music for a while, but Spotify has kind of opened up a nice little world of alternate takes and songs from her library. I particularly like this take on No Doubt’s Don’t Speak.

It’s not a super interesting take, but It’s a weird contrast to the usual super upbeat music of Carly Rae Jepsen. Also, back in the day, I used to listed to Tragic Kingdom a lot, so I have an underlying love for No Doubt as well.

The only thing left that’s particularly notable here is the soundtrack to Gris, coming in at number 4. Gris is a video game I was playing earlier this year and both the visuals and the soundtrack are excellent. It’s got a really nice ambient sort of piano vibe going that’s great for background music.

One Year, One Decade, in Music

A lot of people recently started posting their Spotify year end reviews to social media. I don’t really use Spotify for music, but I do use Last.fm. In fact, I’ve used Last.fm off and on since 2005.

There are a few low points, I had basically zero Scrobbles for 2015 for example, and it was a lot lower while I was using Windows Phone, in general, but it’s still a pretty good snapshot of music habits. and changes. So rather than just settle for a year, i wanted to look over a year, and the last decade of music.

The top level kind of feels like it should be Artist. Across both lists of top 10 artists for the year and decade, only three make both lists. Taylor Swift, Sigrid, and The Who. I kind of feel like Taylor Swift doesn’t really need much said. She was literally named Artist of the Decade, she does music across various genres, basically like her or hate her, everyone knows who she is.

Sigrid is more notable on this list. I’ve talked about Sigrid in previous monthly posts quite a bit. She is notable because she is in third place for the decade, and in my overall list, and every single one of those listens is from 2019. Most of them are from the last 6 months. In more recent weeks I’ve been listening to less Sigrid, but I know that will change when she releases a new album. I can’t even really say that for Taylor Swift at the moment. I’ve only recently started listening to her most recent album, Lover, and so far, I’m really not feeling it like Reputation or 1989 or Red.

The Who is also a bit notable. Of all of the artists I’ve listened to over my lifetime, The Who has been the one consistent group I’ve come back to. I started listening to them back around 1990 when I first got a CD Player stereo of my own and have listened to their music ever since. Before that time, most of my music listening comprised of stuff my cousin was listening to like Madonna, Michael Jackson and Debbie Gibson, as well as the soundtracks to the Ninja Turtles movies and Oliver and Company on Cassette tape. They don’t really top any of my “favorites lists” but they are reliably always “up there”.

The rest of the top artists for the decade are all pretty representative of my primary musical tastes, though I honestly listen to a pretty wide cross section of genres overall. BT, Daft Punk, Skrillix make up some of my interest in electronic music, other like Lady Gaga, Katy Perry, and Ke$ha making up the pop music aspects. I pick up a ton of singles by less known artists, but they tend to get pushed down the list simply by sheer volume numbers of bigger named artists.

The last particularly notable point I want to add for artists is Tessa Violet. I’ve only just started recently listening to her music and I expect to see her popping up more in 2020.

So what about individual Albums. On some level, this is just a more spread out version of the top artists lists. Funny enough, Sigrid’s Sucker Punch is my top album on both. Taylor Swift is higher over all, but her music is spread out over several albums. The same for Avril Lavigne. Sigrid does have several albums listed, but Don’t Kill my Vibe and Raw are both EPs and not full albums, and “In the Moment” is sort of a fake album that’s attached to live tracks.

Top tracks gets a little more interesting, at least on the side of Top for the decade, since it better pulls out singles I have listened to a lot. The top for the year isn’t that interesting, 13 of the top 15 are all Sigrid Tracks. Number 12 is “Why so Serious” by Alice Merton and number 14 is “Ready for it?” by Taylor Swift.

Sia doesn’t even show up in my top ten artists, but “The Greatest” is my single most listened to track. The Gorillaz are sort of int he same boat. I’ve even listened to a lot of other tracks by both artists, but “The Greatest” and “Stylo” both top these two on an individual basis. Also, despite being number 14 for the year, “Ready for it?” blows away the top Sigrid track, “Basic” for the decade. Which is to be expected since I’ve been listening to “Ready For it?” for a lot longer. Meanwhile, I’m not sure I’ve listened to Telephone or Bulletproof at all int he last few years. Which just shoes how one track can fall out of rotation despite clearly being dominant for a while.

Something that’s probably worth adding, that skews a lot of these lists, I still do listen to CDs, especially for artists I really like. I’m sure if I could track CD listens that Taylor Swift and Avril Lavigne would be higher, since that’s my primary way I’ve listened to both of them. This also makes BT come off a lot lower. I really really love BT’s music, but a lot of what I listen to there is on CD. Also, BT’s “These Hopeful Machines” is 2 continuous 45 minute+ tracks, mixing the tracks of “These Humble Machines” into one. Last.fm doesn’t really track these sort of things very well.