Vinyl

Albums

Sigrid – Sucker Punch

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It’s possible, that at some point, I am legally required to talk about this album (not really). I don’t listen to a ton of Sigrid currently, though I have not moved on or anything, there is just so much other I want to listen to. I also probably burned myself out on Sigrid listening to her TOO MUCH. Her album, Sucker Punch still has a special place. I’ve always been into music, but I’ve never really been, ACTIVELY into music. I’m not any level of “hardcore” or anything, but there was kind of a perfect storm moment around me discovering Sigrid that lead to me being more active in music communities and actually caring about music on a slightly higher level than I had previously.

There probably isn’t anything particularly special about this album, like I said, it just got caught up in the perfect storm moment. That isn’t to say it isn’t a good album, I actually really really like this album. Checking my YouTube History, it looks like I first listened to Sigrid, and the song Sucker Punch on November 18th, 2018, though I didn’t listen to it again until February of the next year. Something inspired that though because my YouTube history says I specifically searched for it. Anyway, the history shows I watched some Selena Gomez, Taylor Swift, and Kiesza videos, then right before Sucker Punch, 5 Seconds of Summer – Youngblood (Alt Version), for some reason, and then Sucker Punch, which was likely a recommended video.

Sometimes through 2019, I started listening to Sigrid a lot. Also through YouTube, there was one of those banners, “Tickets in your area.” I didn’t really do a lot of concerts then but clicked through on a whim. The tickets were cheap, super cheap. I bought some, immediately. At some point, I also joined the fan Discord server. There was a fun active community there, most of whom migrated to the new official Discord earlier this year. This was also the start of actively seeking out Discord servers for communities of artists I like, though the only others I ever really participated in actively were CHVRCHES and Aurora’s servers.

I think what drew me in was how, weirdly simple the video was, and how slightly weird it was. It’s just Sigrid dancing around in a kind of cocky way, despite not really looking like someone who would BE cocky. Then there’s that fun montage of clips at the end, with some anime clips and like, she’s in a grocery store throwing food on the floor. WHY DOES SHE HATE THOSE TACOS??? Why is that marching band so sinister???

It also has some really slick editing on some of its transitions, which is really appealing to me.

And that point at the end where the music drops out. Excellent.

But there’s a whole album of songs here, just because the album and the first song I listened to from Sigrid bear the same name.

Mine Right Now is the second track of the album. I really love the running retro-sounding underlaying track on this one. It’s also a fun song suggesting that even if a relationship doesn’t work out, at least it’s good “now”. It also has an incredibly amusing video.

The third track, Basic, is my favorite released track and second favorite track of Sigrid’s overall. It’s even better in the live version (almost all music in general is). A lot of Sigrid’s tracks have to do with relationships, either friendships or possibly romantic, and Basic is one of those. The idea is that you just want something authentic and basic, without drama, with its simple wailing vocals. Like Sucker Punch, it features a fun interlude moment as well, on the album version it basically becomes acoustic, on the live version it becomes a cappella.

(Side note, my favorite Sigrid song is Go To War, but I’ll probably bring that one up in a future post).

Another really good one (aren’t they all?) is Strangers, at slot number 4. This was also the second single released from the album. It also has an amusing and surreal video to go along with it, where Sigrid gets to dance around in her own sort of special way in a sort of open movie set. It’s kind of reminiscent of the idea of the song, which is almost the opposite of Basic, … Strangers, perfect pretenders, falling head over heels…. That sort of thing.

The first single for the album was track 9, and I believe it was her first “big hit” track in general, with Don’t Kill My Vibe. A fast-paced, pump-you-up anthem about keeping others from bringing you down.

In the interest of a bit of brevity, I wanted to sort of group the other tracks together a bit. They are all good, some I didn’t like as much initially, but they have grown on me over time, like Level Up, In Vain, and Business Dinners.

It’s probably also worth bringing up Dynamite. Sigrid has several “low-key” sort of songs, and Dynamite is one of those. It’s a good track, I just have never super been able to get into it. I think part of what I like about Sigrid is how carefree and upbeat most of her music is, and Dynamite, while a good song, is just such a different tone, I can never feel the vibe.

Anyway, this is one I’ve been meaning to write up on for a while. And so it’s done. I’m sure at some point I’ll get to Sigrid’s second album How to Let Go, and I’ll probably do a combined write-up on her two previous EP releases. I also want to do a write-up for the “missing album”. Sigrid has a large number of unreleased older tracks. They don’t exist anywhere except live show performances. Enough to fill a whole album. It would be worth doing a write-up of these I think, as it it were an album. (Go to War is one of these tracks.)

Albums

Alanis Morissette – Jagged Little Pill

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Here’s another album for the “This is already so popular” list of albums, Alanis Morissette’s Jagged Little Pill. Per Wikipedia, it’s the 13th biggest-selling album, ever, and the 3rd biggest put out by a woman. There is a good chance that you’ve at least heard a song from this album, somewhere. It’s an album that really sort of embodied a lot of the 90s feel at the time. It’s an album that I listened to a lot in High School and beyond, and it’s a strong strong contender for “Most listened to album”. I like to track music as much as possible these days with Last.fm, but there are a lot of gaps in that record, from the before times, and this is one of them. Others include Pink Floyd’s The Wall, Tom Petty and the Heartbreakers Greatest Hits, and probably a few Aerosmith albums.

Why cover this album now? Because in a few days, I’m going to see Alanis in concert at the Illinois State Fair. I don’t really have a “bucket list”, but if I did, going to an Alanis Morissette concert is one of them, even if it’s 25 years late. I have not really picked up on a lot of Alanis’ later music, though I want to. Supposed Former Infatuation Junkie is the only other album I have really listened to by her and it’s ok, but not quite as good as Jagged Little Pill. Something I wasn’t aware of until recently after watching the documentary Jagged, is that Alanis actually had a few albums before Jagged Little Pill that were essentially just regular boring pop music.

Which was part of what made this album blow up and become a huge hit. There was plenty of angry rock alternative music by dudes out there, but not a lot by women at the time. The whole album is this crazy ball of angry rage for a lot of its tracks. The first single from the album You Oughta Know has long been rumored to be about her former boyfriend Dave Coulier (Joey from Full House, the goofy guy) but it’s never been confirmed. With such lovely lyrics as

Cause the joke that you laid in the bed that was me
And I’m not gonna fade as soon as you close your eyes
And you know it
And every time I scratch my nails
Down someone else’s back
I hope you feel it
Well, can you feel it?

– You Oughta Know – Alanis Morissette

The lyrics in general are part of what really makes the album appealing. It’s all so poetically blunt at times, full of anger and trauma. It also becomes self-reflective and vulnerable in other places. It starts out very in your face with All I Really Want, You Oughta Know, and Right Through You. Even the slightly more subdued of the early tracks Perfect has a built to how it’s all just too much trying to be perfect. As the album goes on it becomes a lot more subdued, but still tells a string of stories about broken history and broken relationships.

Probably the most well-known track on the album is Ironic, which is an extremely popular and enjoyable song, but it’s also the subject of ridicule and jokes as most of the scenarios in the song are more straight tragic than actually ironic. Rain on your wedding day, ten thousand spoons when all you need is a knife, that sort of thing. The real Irony I suppose is a song called Ironic without any irony in it. I doubt it runs that deep though.

Probably my favorite tracks on the album are Hand in My Pocket and Mary Jane. I really like the whole building optimism of the former, and how it almost feels like it travels through stages of a life with it’s slightly evolving Chorus lyrics. Mary Jane is a nice slow ballad where Alanis really throws out those vocals.

This is also the other reason this album became so popular I think. It’s not just the lyrics, but the way they are delivered. No one thinks twice about scream-singing with male bands, but Alanis helped bring this concept to her music. She has a very distinctive almost yodeling screech at times in her voice which feels like it should be off-putting but instead, it just drives the whole energy of the album. It pushes the rage when needed. It pushes the 90s alternative “who gives a shit really?” vibe when needed. There is also a lot fo interesting almost folksy feeling to her tracks

There’s probably a reason Alanis Morissette never really ended up with a ton of staying power on her future works, because Jagged Little Pill just really embodied the times, and left an influential legacy on music, but released any other time, probably wouldn’t have even taken off at all. I definitely am not saying it’s a bad album, I am just saying that it probably just doesn’t resonate with people who weren’t there, so to speak.

Albums

Aurora – A Different Kind of Human

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I figure I should just continue on from Infections of a Different Kind with the follow-up album, A Different Kind of Human. These are, in theory, two parts to a greater whole, though it’s not clear if there will every actually be anymore of that whole, I personally hope so. Aurora’s fourth album, The Gods We Can Touch, has grown on me since it was first released, but I still don’t enjoy it as much as her previous albums and it definitely has a slightly different feel to it overall.

Of the pair, I think overall I prefer A Different kind of Human to Infections of a Different Kind, but they do fit together very well so it’s hard to really go with one more than the other. I do prefer more of the tracks on this, album versus it’s precursor. It opens with The River, which is less directly about a flowing of water and more about the idea that it’s ok to show your emotions and to cry (the river) if you need to, to help rid yourself of your sadness One thing I have always really found interesting in this track is the lyric “Drinking your eyes”, which is both an interesting sort of metaphor, but also really feels like one of those occasional “Aurora-isms” that pop up in a few of her songs. It’s one of my top tier Aurora tracks though.

The second track, Animal, is another really fun track, about the primal urges and needs of humans to need and want each other. It has another fun metaphorical lyric with “lost in a concrete jungle”, representing the idea that the modern world and life (the city, the concrete jungle), conflicts with this primal need. Track three, Dance on the Moon, is a fun little lighter track. I particularly enjoy the little “da da das” at the end that start running along in the background near the end of the song.

Next up comes Daydreamer, a track that has a nice build over time and really feels like it embodies a lot of Aurora’s overall mood in one song. A desire to encourage everyone to be their best selves, to not dwell on and become these negative things when people should be able to be their best selves. That people should be the daydreamers and enjoy what they dream about being. It’s a pretty upbeat and inspiring song. It’s actually a pretty good follow-up to Dance on the Moon which almost feels like it has an underlying message of someone who wants to be free and dream but can’t because they are trapped. Which also works when you slip in Animal before, the person with suppressed primal needs and desires, desperate to be free.

Aurora continues the crusade for the underrepresented people with Hunger, not so much hunger for food but hunger for agency and power. The follow up track, Soulless Creatures is an interesting almost balladlike track that honestly almost feels out of place in this album. It’s a good track, it just has a slightly different almost eerie sound going for it that doesn’t quite match the feel of the rest of the album. In Bottles, I always want to confuse it with In Boxes, which is an older track that isn’t on any of Aurora’s albums. The two tracks don’t even sound anything alike, but I like both, and they have similar names, and sometimes my brain just gets broken a bit that way (In Boxes is the superior track).

The album’s title track, A Different Kind of Human, I always want to call this track Mothership, which is also a track, but just not, THIS track. I think that’s mostly because it talks about aliens coming to take you away on their Mothership. There are a lot of regular underlying notes to a lot of Aurora’s music, the environment, letting your feelings show, everyone is worthwhile, and occasionally, “maybe Aurora is secretly an alien.” I would not be surprised actually, she has a lot of interesting eccentricities.

Next up is Apple Tree, which, is an interesting track. It comes out of the gate moving and just keeps going. Like The River a bit lyrically, because it has a lot of those odd Aurora-isms to it’s grammar at times. I mostly mention this again because it’s just something I’ve noticed it several tracks, often where tensing or plurals comes off as a bit off. I actually really LIKE these little eccentricities in the lyrics though, so it’ not really a complaint or anything. I also want to say i really like the little brief interlude moment near the end of this track where the vocals drop back briefly.

The last real track on this album is The Seed, which, I really really like, but it’s also extremely repetitive so over time I find I enjoy it, a bit less. It’s essentially a statement about how the environment and planet are being destroyed. It has some excellent layering and build to it. I absolutely love the structure. The lyrics are mostly repeating the saying (of unclear origin, seems to be Native American) about how you Cannot Eat Money. I like the track, I just find the single line repeated actually does get a little well, repetitive. The last track Mothership is hardly a full actual track, and more of a quiet interlude moment that is mostly instrumental.

Albums

Aurora – Infections of a Different Kind

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Technically Infections of A Different Kind is an EP and not an album, along with it’s sister EP, A Different Kind of Human, they make up a complete double album. I also have heard that Aurora has plans to put out some addition “Step X” albums at some point, though I can’t speak to any truth on that. I certainly wouldn’t mind it.

A Different Kind of Human carries on with a lot of the themes present in All My Demons… with tracks that are self reflecting and tracks that are more outward focused, and tracks that are both quite sorrowful and others that are much more upbeat. All have the same dense, layered sound present in All My Demons… While Aurora tends to suggest that the meanings behind her lyrics are very open to interpretation, a lot of the tracks here feel a lot more focused on the message they are pushing.

The album opens with Queendom, an upbeat song about acceptance of everyone, into the Queendom, though it’s not quite clear if it’s “Aurora’s Queendom” or if she is suggesting “Mother Earth’s Queendom”. A lot of nature and love of the planet themes underlay her music, and in a lot of the tracks on this album and it’s follow up, she sort of extra present.

The second track, Forgotten Love, at least in my view, is sort of about the idea of finding new strength from an empty relationship. It opens with a bit of a questioning of if the other still cares, but the Chorus gives a bit of a hint of letting it go and not caring, “And I don’t care if you don’t understand why I cry.” And by the end it talks about being able to move on, and being able to be more awake (and dance among the goodbyes). Musically, I find that I really really enjoy this track, probably more than I realize, and I actually find it runs through my head pretty often.

But that’s not to discount the other tracks on this album. Gentle Earthquakes, the third track, may be my favorite Aurora Track, at least from a pure music structure standpoint. I absolutely love the initial build up the the fist big bass drop, with the BOOM and the little follow up rattling bumbumbum thumps and the “Like a Gentle Earthquake …..” Even though there isn’t another drop, which is a bit disappointing, it still has a nice booming and flowing sound that really gives the feel of “Gentle Earthquakes”. It’s followed by All Is Soft Inside, which is another really great track with a lot of wonderful highs and lows.

Then everything shifts with It Happened Quiet, which is a much more solemn track with strong undertones of being about survival of a sexual assault, which bring with it the gravity of that situation. Aurora has said it’s related to Murder Song, though not exactly how. It also runs next into Churchyard, which kind of feels like it fits a bit with this shift into the idea of unhealthy relationships. Which also harkens back a bit to Forgotten Love as well, though Forgotten Love is a bit more about getting out of such relationships.

Soft Universe isn’t a bad track but it’s one that I find a bit more forgettable on this album. I will mention the use of the word “Soft”, which comes up a lot in Aurora’s lyrics as a bit of a metaphor for simply, “caring, warm, and good”. The last track, Infections of a Different Kind which is also the title track is one that I didn’t used to enjoy, but it’s really grown on me, especially after hearing it done live. It’s really a beautiful song. This is a bit of a pattern I have found for artists I start to get really into. I start off tending to like the more “pop style” tracks, then evolve over time to really enjoy the more deep cut tracks.

Albums

Arooj Aftab

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Welcome again to another round of, “More Musical Storytime, Less Musical Review”. For this week’s write up, I’m covering more, an Artist than a specific album. Specifically, Arooj Aftab, a Pakistani-American artist. I have two of her album, Vulture Prince, her third album, and the Record Store Day vinyl of Live in London.

Arooj Aftab really isn’t my normal “kind of music” though honestly, I don’t really even have a “kind of music”, as I have always just, enjoyed all kind of music. I’ve listened to plenty of pop, rock, country, hip hop, and, somewhat experimental style minimalist Pakistani music. Or whatever the genre here would be. Anyway, it’s time for a bit of fun story time.

Back in 2020, maybe 2021, it’s all kind of a blur, during the COVID lock downs, I started watching a lot of online concert streams, mostly artists I had heard of, since a lot of these were paid streams. I couldn’t go to any concerts, so why not at least support the artists and watch some online concerts instead. I’ve used a lot of different platforms for this, maybe one day I will do a run down of the options out there. In August of 2021, I was going to catch a stream for Molly Tuttle, a finger picking blue grass musician, performing at Red Rocks Amphitheater, streamed through a site Mandolin.com.

This was the first time I had used Mandolin.com, and unfortunately, the stream was riddle with issues. I don’t think an entire song was played in full during the entire stream. It kept dropping and breaking up. I wasn’t super worried about it or even particularly upset, these streams tend to have a pretty affordable entry fee, so no big loss. Mandolin ended up issuing a refund for the stream, AND a credit for future use within the next 6 months or so.

I kept an eye on their schedule for any other streams I would be interested in, but nothing really came up on my radar, and my credit came up on “about to expire”. So i picked a couple of shows that seemed like they might be interesting, one was Courtney Barnett and the other was Arooj Aftab.

For lack of a better way to describe the draw, after the brief bit of research I did, Arooj Aftab struck me as the kind of “weird hipster shit” that I tend to find appealing. And it turns out that it, well, her music kind of is. Also, don’t take the “weird hipster shit” as a derogatory, it’s just, an apt meme-ish description.

So anyway, I enjoyed the show. While perusing Bandcamp for music to add to my little list of “bookmarks for Bandcamp Fridays.” I found that Arooj Aftab has a page there and I decided to buy her (at the time), current album, Vulture Prince.

I hard to really get into the specifics of what I like about this album and it’s tracks, mostly because, half of it, probably more, is not in English. There are some English tracks, but it’s mostly sung in Urdu. Most of my judgement is on the music itself. Wikipedia suggests her style is Jazz and Minimalism, which I would agree is pretty apt. I just mostly find the songs quite relaxing. It’s all long drawn out vocalization and has a sort of “chanting” vibe to it. The musical parts of very light and rambling. It’s music you can just sort of sit back and get lost in.

Anyway, earlier this year during Record Store Day, I noticed there was an Arooj Aftab vinyl available, Live in London, and it was pretty affordable, it may have actually be the lowest priced item on the RSD selection, so I grabbed that as well. I think it only shares one track with Vulture Prince, but it’s a lot of the same sort of vibe and feel. It also is a nice looking red colored vinyl, though colored vinyls are kind of everywhere.

Anyway, if you’re looking for some interesting low key music to chill out with, Arooj Aftab can certainly fill that need.

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