@ramenjunkie.bsky.social - Ramen Junkie Calibrating My Audio-Technica AT-LP60
Ramen Junkie I don’t have a ton of vinyl records, but I do like to actually listen to them. It’s a topic for its own entire post, but I don’t collect anything for its “value”. I collect because I want to enjoy it. I point this out a bit because I also have a shitload of toys. I noticed something recently, that I am surprised I didn’t notice before, or maybe it just, didn’t actually click that it was an issue. Last week I got 1989 (Taylor’s Version). While listening to that, everything seemed, slightly too fast. I think I may have noticed this a bit with my Bone’s 10th vinyl as well. In the case of the Taylor Swift album, I decided it was just something to do with it being a re-recorded album, and not a straight remaster/release.
More recently, I got my copy of Aurora’s All My Demons… (Commentary here)…
Because I started hardcore tracking my listening with Last.fm years ago, I can say, with confidence, that I have listened to this album a lot. I can’t say it’s my most listened to album of all time for sure, but I can say, it’s the top since I started tracking. When listening to it, things were definitely off. The whole thing was running slightly too fast, and Aurora’s wonderful vocals sounded weird.
My first thought was, that maybe the belt was wearing out. It also occurred to me, that it’s a belt, it probably has a tension adjustment somewhere. I looked up a copy of the manual, which didn’t mention it anywhere. But, various audio forums did mention it. On the bottom of the players, are two small holes, where a screwdriver can be inserted and the tension adjusted, altering the rotation speed.
The problem then was, how to know if the speed was right. I probably could have done it by ear with All My Demons, but the adjustment is on the bottom, I can’t adjust it while it’s playing (well, not easily). It turns out, there are technical ways to do this as well. One of the search results mentioned a printable strobe guide. I’m not positive what this is, but I can infer based on other things I know of. I suspect it works like a Zeotrope, where you get a sort of animation going when the record spins at the proper speed.
Another result suggested an app called RPM Speed and Wow. As the name suggests, it uses a phone’s accelerometer to measure the RPM and Wow of a turn table. I’m not entirely sure what Wow is, it seems to be related to audio distortion, I may look into that later a bit more. For now, the concern was the speed. I loaded up the app, placed the phone on the turn table, pressed the “pause” button on the player, which prevents the arm from dropping, but not the table from spinning, and pressed play. After about a minute, I had a measurement of 34.99 RPM, almost 5% off.
Suddenly it makes sense why all the music seemed too fast, because it was!
I dug out a small screw driver and carefully lifted the player up to turn the knob. One issue was that I wasn’t sure which direction to go. I went with clockwise (Spoilers, the correct direction is counter clockwise). I tested again, but it didn’t change. I tried counter clockwise, no real change. So I went and got an even smaller screwdriver.
It takes a very small screwdriver to get in the hole properly to adjust the knob. Also, it takes a very very very small amount of turn to adjust the speed. The best way I can describe it, I needed a 5% change, which pretty much meant a 5% turn out of a whole circle. I doubt it’s actually that exact, but it’s very very slight.
Anyway, after going Clockwise, things got faster, so I lifted things up and went counter-clockwise until I landed on 33.12 RPM. This is around half a percent too slow, which frankly, is close enough. Probably as close as I am going to get without seriously altering my methods. For one thing, during at least one tip to adjust, the turntable itself fell off, so I had to put it and the belt back on, which probably screws up these small adjustments I’m making as more than half a percent.
I put my All My Demons record back on the turn table and fired it up, and it was better, much much better, enough that it wasn’t noticeably off.
Just as a quick wrap up, I want to give a shout out to this Matco screwdriver set. A friend of mine in High School gave this set to me for my birthday, I think my 16th. His dad worked for Matco and there were a ton of Matco tools in his house. Anyway, it’s served me well, repeatedly, for over 25 years now. It’s a super useful set of screwdrivers (the pen not so much, I’ve never used the pen).
Josh Miller aka “Ramen Junkie”. I write about my various hobbies here. Mostly coding, photography, and music. Sometimes I just write about life in general. I also post sometimes about toy collecting and video games at Lameazoid.com.
Taylor Swift – 1989 (Taylor’s Version)
Taylor Swift’s 1989, an album so nice I bought it twice. I may actually go in on buying it a third time later with a digital copy. Arguably her best album, though fans will of course argue over that until the end of time, it’s certainly my favorite Taylor Swift Album. I have them all, and I’ve listened to them all, quite a lot. Taylor Swift ranks quite high on my Last.fm all-time scrobbles (#4 I believe). The original version of this album, 1989, is carrying a lot of the blame for that.
The recent release of 1989 (Taylor’s Version) is the 4th re-release of this style. In case you’re not aware of the whole situation, the general gist is that after her 6th album, Reputation, Taylor left her original record label, Big Machine. For whatever reason, they refused to sell her the rights to the masters of her songs. She still owned the rights to the songs, just, not the original recordings. Rights are weird man. So a few years ago, on the new label, she started effectively re-releasing those albums, each subtitled, “(Taylor’s Version)”. Previously, we have gotten, Fearless, Speak Now, and Red. I can’t imagine Reputation and the original self-titled album Taylor Swift, can’t be that far behind.
These are not straight re-releases though. Due to the nature of it all, it’s all been freshly re-recorded. This is actually a lot more obvious with albums like Fearless and Speak Now, which are quite a bit less “twangy” in the (Taylor’s Version) releases. There is definitely a cleaner sound for the 1989 Re-recording, but it’s much closer to the original. Another aspect of all of these releases however is the inclusion of additional tracks, or “From the Vault”. 1989 is a bit lighter on these tracks than the previous albums with only 5 Vault Tracks, but it does include the three tracks originally only on the Deluxe edition of the original release (which is what I had previously, on CD).
I don’t plan to rack up Taylor Swift Vinyls like other artists I like, but as 1989 is my favorite Swift album, I’ve opted for the Vinyl release on this one, specifically the green edition. I’ll probably pick up the digital FLAC version eventually like I’ve done for the previous Taylor’s Version albums, (everything else is on CD), but for now, Spotify works for regular listening.
The album itself is nice, the records themselves on this edition are a nice light green color. When opened there is a nice spread of photos, with a record on each half inside. Each of the sleeves has the song lyrics scrawled across them. The box also contained a few small paper stars for some reason. Like large confetti pieces. Part of the reason I picked this version was also because I like the front image on this cover better than the normal edition release (which I think has blue records).
There are way too many tracks to cover all of them, and frankly, I’m not a super fan of doing that style of write-up anyway. I’ll just say that I do enjoy pretty much every track though, which shouldn’t be surprising since I’ve essentially heavily implied it’s kind of a top-tier album on my list of favorite albums. Instead I’ll touch on some of my favorites. I’ll just start off and throw out there that probably the most popular tracks on the album, Shake it Off, and Bad Blood, are probably my least favorites on the album. I like both, but they are kind of low on my list.
Probably my favorite track on the album is Style. I really love the low-key even flow of this track. It has a really nice running beat going through it. I also really like its follow up Out of the Woods. The little story it tells along the way is fun, I’m a sucker for that sort of thing, and it has some really fun builds and falls through its run.
Another one that’s high on my list is Wildest Dreams. I love the airy feel of this one, and it also has a good feel that reminds me of Style. One of the Vault Tracks I can see becoming a favorite as well for this reason, Is it Over Now? really reminds me of Style as well. I have no idea of the writing process behind these, but I could actually see Style and Is It Over Now? as having the same root, and it was maybe decided to only keep one on the original release.
The last track I want to mention on my list is New Romantics. It was originally only on the Deluxe release of the album, I really love the theme and build-ups on this track. The little break moments with the “Ahhh ah ahhh ahh”s. It’s also frankly, kind of a better anthem of “Don’t sweat the small stuff” than “Shake it Off” is.
For the sake of mentioning another of the Vault Tracks, I’ll mention “Slut!” I suppose, which seemed to be sort of getting pushed as a release signal. It’s an alright track, but it’s a bit slow for my tastes these days. It’s definitely a slower, almost plodding track than a lot of the others, though the overall feel does fit with the other tracks of 1989.
All in all, the album is still great. It doesn’t add quite as much as the previous Taylor’s Versions, but it was already such a strong album it would be kind of hard to add much.
Josh Miller aka “Ramen Junkie”. I write about my various hobbies here. Mostly coding, photography, and music. Sometimes I just write about life in general. I also post sometimes about toy collecting and video games at Lameazoid.com.
CHVRCHES – The Bones of What You Believe
I feel like at some point I should get around to covering the rest of the CHVRCHES album lineup aside from Screen Violence. In proper fashion, I’m going to roll it back to their first album, The Bones of What You Believe. It’s appropriate because it’s the 10th anniversary of the album. I actually can’t say accurately when I first listened to CHVRCHES, though I can say I only recently started caring about them. I know that when I started to care, I realized that I already had at least one album I had bought on Amazon. So at some point, they showed up in a $5 album sale, and I decided I liked the sound and impulse bought it.
It’s probably worth mentioning that the album also recently celebrated its ten-year anniversary.
I also know that for a while I was aware somewhere of a band called “Churches” because for some reason I thought maybe they did that song Take Me to Church, which is actually by Hozier. This is based entirely on the whole Church/CHVRCH thing.
Whatever the case, while I probably heard their more popular tracks starting from this album, I didn’t really start listening until much later, though before the Screen Violence era. Anyway, after I started listening, shortly before Screen Violence, probably at the recommendation of folks in the Sigrid Discord, they quickly shot up to the top tier of my favorite artists. They are currently 2nd on my Last.fm scrobbles. I imagine that another influence was my obsession with Forza Horizon 4, which features Never Say Die, from Love is Dead.
I would say it’s hard to pick a favorite song from the album, except the track Gun is on this one, and it’s my favorite CHVRCHES track, so that’s pretty easy to pick. I just really love the metaphor of the hook. You fucked up, and you’re going to pay for it.
Maybe my second favorite track on this album is Tether, though it wasn’t always. It’s sort of grown into that place. I just absolutely love the build from calm and slow to the break at the peak. I also really enjoy the vocal effects and overlapping sounds of this one.
There are plenty of fan favorites and other notable tracks though. Their first big single, Mother We Share is such a good opener to the album with the echoing vocals. I particularly like the up-and-down background rhythms and the slappy fake clap beat that runs throughout. I want to say Lies, was the first track they actually performed during live sets, and while it’s popular, it’s probably one of my least favorite tracks on the album, because it’s very repetitive and flat in it’s overall presentation.
A few more of the more popular tracks are Night Sky, which I believe took 2nd place for most popular in the CHVRCHES Discord tournament (behind Clearest Blue). Science/Visions goes incredibly hard, and is pretty amazing live as well. Recover was the second single from Bones and has some following but it reminds me a lot of lies in that it’s a bit repetitive and it’s lower on my list of songs I enjoy. Another really good one is We Sink, which drives pretty hard and really shows off the CHVRCHES sound well.
Also notable is how many Martin lead songs are on this album. What I understand reading the history of the band, is that Martin was going to be the lead vocals before Lauren came along. There are two tracks from Martin on the base version of this album, Under the Tide and You Caught the Light. The Deluxe version adds the previously released track Zvvl, and the 10th-anniversary release adds in the previously unreleased Manhattan and Talking in My Sleep. That’s quite a few Martin tracks from the early era of CHVRCHES. It certainly would have been a different band without Lauren.
Another that I’ve started enjoying a lot more lately, though it seems contradictory since I dislike the repetition of Lies and Recover is Tightrope, though it’s only on certain bonus versions, and is a cover of Janelle Monáe. I just rather like the “T-t-tightrope” stutter lyrics and the varying vocals in the “high or low” bits.
All in all, like most of CHVRCHES music, it’s pretty much all good. I’ve been listening to this album for a while, and I’m looking forward to the upcoming 10th-anniversary re-release and all it entails.
Josh Miller aka “Ramen Junkie”. I write about my various hobbies here. Mostly coding, photography, and music. Sometimes I just write about life in general. I also post sometimes about toy collecting and video games at Lameazoid.com.
Nirvana – Unplugged in New York
While I have a lot of “favorite albums”, there is one that I have fairly consistently considered my absolute favorite, and it’s Nirvana’s Unplugged in New York. Originally recorded as part of MTV’s Unplugged show. It was the first Nirvana album released after Kurt Cobain’s death. There are quite a few of these types of albums from MTV’s Unplugged show by different bands. From back when MTV actually played Music all the time.
I just love everything about this album. I love the goofy chatter between the songs. I love the fact that there are plenty of electric effects and an electric guitar in Nirvana’s “Unplugged Set”, because Nirvana doesn’t care apparently. I particularly love that it’s not just an acoustic greatest hits album. I think at least half the songs are covers and most are not their “top hits”. Come As You Are and All Apologies are probably the only real big hits on the album, though there are a couple of others. They aren’t even necessarily covering the big hits of other groups either.
While I really like every track, the covers may actually be my more favored tracks. The Man Who Sold the World, originally by David Bowie is excellent. Jesus Doesn’t Want Me for a Sunbeam is great as well. There are three covers of Meat Puppets tracks, Plateau, Oh Me, and my favorite of these three, Lake of Fire. Members of the Meat Puppets also participated in this set.
The set ends with another non-Nirvana track Where Did You Sleep Last Night which is a folk song done by a variety of artists over a period and also goes by several other names. The whole, “angsty 90s Cobain” really shines through on this track and I really like it as well.
The set opens with About a Girl, which as Cobain comments, “this was off our first record, most people don’t own it,” which is certainly accurate as Nirvana wasn’t really popular until Nevermind and then later In Utero. It’s a nice and interesting throwback to the band’s origins. The last track I wanted to throw out as one of my favorites from this album comes from In Utero, Pennyroyal Tea, despite its kind of random and rambly nature, really fits this format well.
I think one thing I really like about this album is just how much it’s Nirvana’s messy and gunge style, cleaned up in a slick format, which still keeps the messy and grunge feel. I don’t really know how else to describe it. That isn’t to say Nirvana isn’t a great band, but I really feel like this album lets them really show a great other side to the band and everyone seems to be generally having a good time making this music as well.
Josh Miller aka “Ramen Junkie”. I write about my various hobbies here. Mostly coding, photography, and music. Sometimes I just write about life in general. I also post sometimes about toy collecting and video games at Lameazoid.com.