Hobbies

Sigrid @ The Ready Room feat Raffaella (10/08/2019)

I don’t go to a lot of concerts, and of the 7 total I’ve been to of any merit, 4 of them weren’t really anything I would have necesarilly chosen. Three of them were country music that my wife and daughter wanted to see (Toby Kieth & Kip Moore, Lee Brice, Travis Tritt). Though the shows were enjoyable, country music isn’t my first choice in music genre. The main issue honestly is most of the artists I would want to see tend to be at huge venues and cost a few hundred dollars a ticket, so it’s just not really affordable.

So when I was watching some Sigrid on Youtube and there was a little notice below about a show “nearby” in St Louis, I figured, why not let’s see what’s up. It turns out, it was super affordable, and it’s close enough that I could always drive there and back in one round trip, even if it meant a late night. I asked my wife if she wanted to go, and mentioned that it was cheap enough that even if she ended up not being able to, because of her various come and go health issues, the extra ticket wouldn’t be a huge bust or anything. Fortunately, she came along as well.

We opted to make a little mini vacation of it, and I took a couple of days off work. I joked that we were having a Scandinavian vacation, since we went to IKEA (Sweedish-ish) during the day before seeing Sigrid, who is Norwegian, that evening. The day after we also went to the St Louis Zoo.

The show itself was at a little club called The Ready Room. I couldn’t find a ton about the place online before the show so I wasn’t super sure what to expect. It wasn’t a particularly large venue, and the maximum capacity listed was 750 people, so at the very least, it was going to be a fairly small crowd. We arrived around an hour early, plenty of parking available ont he street too which was nice. The excitement of the show kind of got ramped up here as we walked past the tour bus parked on the side of the building. There were a dozen or so people lined up outside, so we walked next door to a sort of open space pizza spot called Pie Guy Pizza for a quick bite to eat.

Doors opened shortly after we had arrived, and the line hadn’t grown much, if any, so we headed on in. The stage area was a mostly black room, but it was also much wider than it was deep, so there was a lot of width to the stage. I ended up standing right up front next to the rail, though off to one side. After a bit more wait, it was time for the show.

So, in addition to Sigrid, there was also an opening act, Raffaella, as part of the show. I’d never heard anything from Raffaella, so in the weeks leading up to the show, I added some of her tracks to my Amazon playlist. Probably my favorite song of the half dozen songs she has out is Balaclava, though in general, I rather enjoy all of her tracks.

I didn’t take any video of Raffaella, so you’ll have to settle for this iteration from Youtube. Funny enough, I had listened to this track enough that I was able to sing along for quite a bit of it during the performance. Her show was decent as well, though due to the wide nature of the stage, it felt a little crowded, since her band was set up in front of Sigrid’s Band’s gear.

Unfortunately, I only ended up with one sort of OK photo from Raffaella’s set. I wasn’t super satisfied with a lot of my photos from this event. My camera’s phone sucks, and I had inquired before hand about the camera policy of the club and got a sort of boiler plate reply that suggested I would not be able to bring my DSLR to the show. I had brought my daughter’s fixed lens midrange Nikon, but in the end, left it int he car, because I didn’t want to deal with if I would be allowed to bring it in or not.

After Raffaella’s set, there was a short intermission while the crew broke down the extra instruments and cleaned up the stage before the main act. I’ve watched a lot of videos of Sigrid’s Sucker Punch tour, so I had a pretty good idea of how the set would go. But still, it was quite exciting to actually be there as Peder, Kristina, Sondre and Kasper came out in the dark to take positions on stage. Then the familiar sort of ambient build up to the opening of Sucker Punch as Sigrid rushes out and starts singing the song.

I just want to say, it’s really something else to go see an artist that you really like, and get to be “right there”. Later, after the show, I commented to my wife that the whole thing made me really want to go see more live shows, but I’m spoiled now because I’ll probably never end up with this perfect combo again.

Having listened to all of these tracks really helped the whole experience as well, there’s something really fun about a crowd of people all singing along with each other all just in the moment. Sigrid puts on a really great show as well. She is constantly moving and dancing around the stage. She makes little call outs to the crowd. Possibly the best one, at one point she jumped out onto the platform on the backside of the railing in front of the stage and someone int he audience totally lost it. Sigrid commented that she “Didn’t expect you to scream like that.”

The band is great too, and sometimes I feel like they don’t get enough credit. Kasper does some great drum riffs, I particularly love him in the track Go to War. Sondre does some pretty good guitar work on the few times he gets to do his small moments to shine. I’m less familiar with Peder, as he is new to the group after some sort of unknown drama involving the old keyboardist. I also really like Kristina as Sigrid’s backup vocals. I’ve been listening to her album “Revet vekk” some recently. It’s all in Norwegian and has a way different vibe than Sigrid, but I find it pretty relaxing to listen to.

Anyway, I also really enjoy how every track sort of feels different. Some of them are heavy bouncy fast paced songs. Then you get more relaxed moments like in Dynamite, where Sigrid plays solo on the Keyboard, or Level Up where it was just Sigrid, Kristina, and Sondre.

My only complaint, which personally, isn’t a huge one, and I have no idea what the actual “blame” would be for it. Holy shit the show was loud. Like, literally, overwhelmingly loud at times. There were many times when I could basically only hear drums. There was a moment, probably during the heavy drum beats of Go to War, that I had resigned myself that I’d possibly be deaf after the show was over. I don’t know if the sound was cranked up too much, or I just wasn’t expecting it, or (most likely) I was standing 2 feet in front of one of the speakers, but it was LOUD. It was a good thing I was already pretty familiar with the music. Also, I suspect it was where I was standing, because my wife, who was standing behind/beside me, just off tot he side of the speaker, didn’t really mention having the same problem, even when I mentioned it.

Whatever the case, I would definitely go to another Sigrid Show, and I definitely want to go to more concerts in the future, though I may try to stick to smaller venues like this one, even if it’s not a band I am super familiar with. I’m going to wrap up here with the one video I did take, of my favorite Sigrid track, Basic.

Change Agent by Daniel Suarez

NOTE: This book was provided by the publisher for free to the reviewer in advance of release. This review also originally appeared on Lameazoid.com

I should probably start off by mentioning that I am a huge fan of Daniel Suarez.  I have read all of his previous books, a few of them more than once.  He definitely has a great “not too distant” future sort of style that comes off as very plausible in his Sci-Fi Techno-Thriller novels.  While I wouldn’t rate Change Agent as his be best work yet, I still give that to Daemon, it’s certainly not on the bottom of my list.  They all rank pretty high in my opinion.

The general plot follows Kenneth Durand, who has been genetically altered via a Change Agent, sort of a DNA virus, to have the form of the wanted criminal Marcus Wyckes.  A large proportion of the story follows Durand as he travels through Singapore and Thailand to try to find a way to return to his former self.  He meets a variety of folks along the way good and bad, and must deal with some inner turmoil in the concepts of what truly makes a person who they are.  Much of the near future aspects of this revolve around the concept of genomic manipulation primarily, but other more familiar concepts such as the mass use of drones and AR/VR style interfaces for technology.

The core story is well done and there is a nice sense of urgency along the way to Durand’s mission, mostly from the constant pursuit by the authorities.  The main areas where it falls apart is the periphery.  Some of Durand’s colleagues are involved in the pursuit of Durand/Wyckes but they don’t really seem to every question the possibility of Durand being anyone except who he appears to be, despite the world around them.  There also isn’t a much done with Durand’s family, which is his entire motivation, beyond surface level exposure.  Meanwhile many of the people Durand meets later feel like they don’t really have any good reason to trust him yet they often do explicitly.  The subplot involving (the real) Wyckes’ henchman never feels quite fully explored either.

These sub plots could have been fleshed out a bit further and could have helped the story feel more complete.  The core plot works regardless, though there are some parts that felt like they dragged a bit early on and around the three quarters mark.  The real fun, like all of Daniel Suarez’s books, comes from the “what if” world that is presented.  Daemon and Freedom looked at the web and AI, Kill Decision was AI and drones, Change Agent looks at genetics and technology overexposure.

If you enjoy the writing style of Daniel Suarez or similar authors such as Neal Stephenson, John Scalzi, or William Gibson, you’ll probably enjoy Change Agent.