Music

Nirvana – Unplugged in New York

While I have a lot of “favorite albums”, there is one that I have fairly consistently considered my absolute favorite, and it’s Nirvana’s Unplugged in New York. Originally recorded as part of MTV’s Unplugged show. It was the first Nirvana album released after Kurt Cobain’s death. There are quite a few of these types of albums from MTV’s Unplugged show by different bands. From back when MTV actually played Music all the time.

I just love everything about this album. I love the goofy chatter between the songs. I love the fact that there are plenty of electric effects and an electric guitar in Nirvana’s “Unplugged Set”, because Nirvana doesn’t care apparently. I particularly love that it’s not just an acoustic greatest hits album. I think at least half the songs are covers and most are not their “top hits”. Come As You Are and All Apologies are probably the only real big hits on the album, though there are a couple of others. They aren’t even necessarily covering the big hits of other groups either.

While I really like every track, the covers may actually be my more favored tracks. The Man Who Sold the World, originally by David Bowie is excellent. Jesus Doesn’t Want Me for a Sunbeam is great as well. There are three covers of Meat Puppets tracks, Plateau, Oh Me, and my favorite of these three, Lake of Fire. Members of the Meat Puppets also participated in this set.

The set ends with another non-Nirvana track Where Did You Sleep Last Night which is a folk song done by a variety of artists over a period and also goes by several other names. The whole, “angsty 90s Cobain” really shines through on this track and I really like it as well.

The set opens with About a Girl, which as Cobain comments, “this was off our first record, most people don’t own it,” which is certainly accurate as Nirvana wasn’t really popular until Nevermind and then later In Utero. It’s a nice and interesting throwback to the band’s origins. The last track I wanted to throw out as one of my favorites from this album comes from In Utero, Pennyroyal Tea, despite its kind of random and rambly nature, really fits this format well.

I think one thing I really like about this album is just how much it’s Nirvana’s messy and gunge style, cleaned up in a slick format, which still keeps the messy and grunge feel. I don’t really know how else to describe it. That isn’t to say Nirvana isn’t a great band, but I really feel like this album lets them really show a great other side to the band and everyone seems to be generally having a good time making this music as well.

Sigrid – Sucker Punch

It’s possible, that at some point, I am legally required to talk about this album (not really). I don’t listen to a ton of Sigrid currently, though I have not moved on or anything, there is just so much other I want to listen to. I also probably burned myself out on Sigrid listening to her TOO MUCH. Her album, Sucker Punch still has a special place. I’ve always been into music, but I’ve never really been, ACTIVELY into music. I’m not any level of “hardcore” or anything, but there was kind of a perfect storm moment around me discovering Sigrid that lead to me being more active in music communities and actually caring about music on a slightly higher level than I had previously.

There probably isn’t anything particularly special about this album, like I said, it just got caught up in the perfect storm moment. That isn’t to say it isn’t a good album, I actually really really like this album. Checking my YouTube History, it looks like I first listened to Sigrid, and the song Sucker Punch on November 18th, 2018, though I didn’t listen to it again until February of the next year. Something inspired that though because my YouTube history says I specifically searched for it. Anyway, the history shows I watched some Selena Gomez, Taylor Swift, and Kiesza videos, then right before Sucker Punch, 5 Seconds of Summer – Youngblood (Alt Version), for some reason, and then Sucker Punch, which was likely a recommended video.

Sometimes through 2019, I started listening to Sigrid a lot. Also through YouTube, there was one of those banners, “Tickets in your area.” I didn’t really do a lot of concerts then but clicked through on a whim. The tickets were cheap, super cheap. I bought some, immediately. At some point, I also joined the fan Discord server. There was a fun active community there, most of whom migrated to the new official Discord earlier this year. This was also the start of actively seeking out Discord servers for communities of artists I like, though the only others I ever really participated in actively were CHVRCHES and Aurora’s servers.

I think what drew me in was how, weirdly simple the video was, and how slightly weird it was. It’s just Sigrid dancing around in a kind of cocky way, despite not really looking like someone who would BE cocky. Then there’s that fun montage of clips at the end, with some anime clips and like, she’s in a grocery store throwing food on the floor. WHY DOES SHE HATE THOSE TACOS??? Why is that marching band so sinister???

It also has some really slick editing on some of its transitions, which is really appealing to me.

And that point at the end where the music drops out. Excellent.

But there’s a whole album of songs here, just because the album and the first song I listened to from Sigrid bear the same name.

Mine Right Now is the second track of the album. I really love the running retro-sounding underlaying track on this one. It’s also a fun song suggesting that even if a relationship doesn’t work out, at least it’s good “now”. It also has an incredibly amusing video.

The third track, Basic, is my favorite released track and second favorite track of Sigrid’s overall. It’s even better in the live version (almost all music in general is). A lot of Sigrid’s tracks have to do with relationships, either friendships or possibly romantic, and Basic is one of those. The idea is that you just want something authentic and basic, without drama, with its simple wailing vocals. Like Sucker Punch, it features a fun interlude moment as well, on the album version it basically becomes acoustic, on the live version it becomes a cappella.

(Side note, my favorite Sigrid song is Go To War, but I’ll probably bring that one up in a future post).

Another really good one (aren’t they all?) is Strangers, at slot number 4. This was also the second single released from the album. It also has an amusing and surreal video to go along with it, where Sigrid gets to dance around in her own sort of special way in a sort of open movie set. It’s kind of reminiscent of the idea of the song, which is almost the opposite of Basic, … Strangers, perfect pretenders, falling head over heels…. That sort of thing.

The first single for the album was track 9, and I believe it was her first “big hit” track in general, with Don’t Kill My Vibe. A fast-paced, pump-you-up anthem about keeping others from bringing you down.

In the interest of a bit of brevity, I wanted to sort of group the other tracks together a bit. They are all good, some I didn’t like as much initially, but they have grown on me over time, like Level Up, In Vain, and Business Dinners.

It’s probably also worth bringing up Dynamite. Sigrid has several “low-key” sort of songs, and Dynamite is one of those. It’s a good track, I just have never super been able to get into it. I think part of what I like about Sigrid is how carefree and upbeat most of her music is, and Dynamite, while a good song, is just such a different tone, I can never feel the vibe.

Anyway, this is one I’ve been meaning to write up on for a while. And so it’s done. I’m sure at some point I’ll get to Sigrid’s second album How to Let Go, and I’ll probably do a combined write-up on her two previous EP releases. I also want to do a write-up for the “missing album”. Sigrid has a large number of unreleased older tracks. They don’t exist anywhere except live show performances. Enough to fill a whole album. It would be worth doing a write-up of these I think, as it it were an album. (Go to War is one of these tracks.)

Alanis Morissette @ IL State Fair Grandstand feat Tenille Townes

Alanis Morrissette, singing Ironic, the first song she has actually heavily encouraged audience participation in, and her mic goes out. The audience had already been doing like 50-75% of the song without her so the band just continued and no one noticed until it came back a few seconds later.

It’s it Ironic?

Don’t cha think?

Last night, I went and saw Alanis Morrissette perform at the Illinois State Fair. In traditional fashion, I’m going to ramble on a bit about the whole night’s experience. For the sake of simplicity, you can get a bit more highlights about my love of Alanis in my recent post about Jagged Little Pill.

A couple of years ago, I almost went to see Alanis and Garbage during their tour together, She was going to be in Indianapolis, and I have family over there I could see, I checked into tickets and they were, a bit more than I cared to spend, for where they were located. Plus it was still kind of “The middle of COVID” so it seems like maybe it was best to just not. Then a few months ago, she was announced as coming to the Illinois State Fair this year. Each year the fair has a large show, I think every night, maybe races a few nights. I hopped on over and signed up for her mailing list to get in the early sales window. My wife wasn’t interested and my brother was interested but that fell through. Since it was just me, I bought tickets for the standing area on the track. Later I learned the fair offers a “Pre Show Party” for pretty cheap, which includes early entry and a parking pass. That seemed like a good deal, so I spring for that.

I’m glad I did.

I opted to go right to the “wait in line” part of the Pre Show Party after buying a bottle of water (which cost me more than an entire case of water normally, but hey, it was some charity group running it). I was like, 25 in line I think, and people kept wandering out and back for more drinks. The only other time I’ve been to a show was like ten years ago for Toby Keith, my wife and daughter wanted to go. This was my view.

When we went in, I had a notion that most people would pile in on the right side of the stage since we were let in on the right, so I shuffled around past to the left side of the stage and ended up pretty much right in the center, I was next to the dude who had been at the front of the line. So this was my view.

Perfect.

Around an hour later, and some light rain, which threatened to become worse, the opening act started. I actually didn’t realize there was an opening act, nothing really mentioned it.

Tenille Townes

I don’t know what it is about opening acts, but it’s like they are required to do SOME cover songs. I don’t mind covers, but her set included I think 3 covers. Oddly enough, I could see the setlist taped to the floor and the second song listed, “Come as You Are”, was NOT a cover of Nirvana. It’s was a Tenille Townes track. She did do covers of U2’s I Still Haven’t Found What I’m Looking For and The Beatle’s Come Together.

I am not familiar enough with her song’s to remember what most of them were called and Setlist.fm isn’t helping me here. Funny enough, I am pretty sure I have heard her music before because Somebody’s Daughter was very familiar when they played it.

For the most part, I enjoyed her set. They work the crowd well and she was pretty chatty the whole time. The whole band really seemed to be enjoying themselves. Based on her style and twangyness, she is a country singer, but it’s a very “Rock and roll” kind of country.

Alanis Morrisette

After the usual “tear down and swap over” it was time for the main event.

Pretty much as expected, most of the setlist consisted of songs from Jagged Little Pill. The recent tour was for the 25th anniversary of the album, and most of her well known songs are from that album. In face, the setlist included ALL of Jagged Little Pill, including the hidden track, Your House. It also included several of her other more well known singles as well as some of the less known tracks, though many of those were simply, brief interlude moments, and not the whole songs. I’ve embedded a neat little Setlist from Setlist.fm, but it’s deceiving because 7 of the tracks (Hands Clean, Diagnosis, So Unsexy, Nemesis, Losing the Plot, Sympathetic Character, I Remain) were not full songs.

Anyway, the show, was awesome. I can’t say it was the best show I’ve been to, but it was damn good. The music was of course, all very very familiar, but at the same time, as is usually the case, the live versions are different and just generally better. There was so much going on at times too, it was kind of hard to know what to choose to focus on, there was a large screen that was showing some interesting videos to go along with each song. Alanis herself, dancing around stage quite a bit, including that sort of, long stride walk she does (I’ve seen it in some other videos).

Then also the band. Man, the band was amazing, especially the bass player, Cedric LeMoyne, but I’ll say also especially the lead guitarist, Jason Orme. I am assuming lead, there was also a second guitarist, Julian Coryell, playing on several interesting looking small guitars, but he seemed, I dunno, less active in general, not just in stage presence, but also in his playing. I may be totally wrong though. The drums, Victor Indrizzo, and keyboard, Michael Farrell, were also very good, though of course, the nature of both of those means they are quite a bit less showy.

I do want to throw out my one complaint, since it’s related, the rest of the band was very often, in the dark. I couldn’t remember their names, though they were introduced, and finding them was actually kind of difficult. Or at least, it took a lot more work than expected. Like, I love you Alanis, but the these guys were amazing, maybe give them a little bit of that spotlight. Looking at a few other videos this doesn’t always seem to be the case so I almost wonder if there was something going on with the venue’s lighting, though this wasn’t an issue in the Tenille Townes set and if they needed more lights, they could have dropped the weird back of the stage spotlight that basically just, were blinding.

Back to the show though, and the band, that bass player, Cedric, dude was absolutely amazing. He had several moments where he did little solo parts and his playing was great, his stage presence, what you could see, was great as well. I am going to have to check out his previous/other band Remy Zero a bit to see if any of what he was doing here shines through there. The band name actually sounds familiar, so maybe I’ve heard of them at some point.

Alanis herself was amazing as well. There is a phrase “Eat the Mic”, which is to say, hold the mic so close you’re lips are touching it, because you’re too quite. I see this literally quite a bit on some of the videos I’ve seen of artists. Alanis, does the opposite, by a long shot. I mean, it’s kind of her entire style, the very loud screaming sort of singing, but she often had that mic feet away and she still came through fine. I do wonder a bit why she uses a corded mic though, as much as she is back and forth across the stage, it seems like the cord is kind of a hazard, plus cords are prone to failure with that much moving around (they actually swapped out her mic about 3 songs in, and it completely cut out during Ironic briefly).

I appreciate the use of some of the lesser known tracks as interludes. Understandably, she would go get a big drink between almost every song, and often would do a sort of, subdued little bit from a song, just standing in place near the back. I don’t know a ton of her feeling on it all, but i suspect that after 25 years, it gets a bit old singing the same album constantly, especially because she has had several albums since. There wasn’t any of the latest album at all, though that’s kind of understandable since The Storm Before the Calm is an electronic music based meditation album. It’s decent, but you don’t really want to put your crowd to sleep with calming meditative music.

Some highlights, Wake Up where they break out ALL THE GUITARS was pretty good. I do wonder a bit just how many guitars it takes to be “too many” sometimes.

Forgiven is already a pretty intense song, made way more so with the live performance, with all the drama of the song brought out for the stage.

Uninvited and Smiling both start out light-ish but build into an intensely chaotic but well done ball of energy and sound and guitars. Smiling may have been my favorite of the night.

As mentioned above, she really encouraged the audience to sing along to probably her most iconic song, Ironic, I think the audience would doing at least 50% of it with her holding the mic out to the crowd to sing.

The encore performance of Your House was so hilariously good. She kept stopping the band in feign disgust and they would start again doing a different style of music as the backdrop, all not anything like her normal style, like funky or jazzy riffs.

I will throw out there, I kind of wish there was a bit more audience interaction. I guess I’m used to some really talky artists, but I am also a bit more used to smaller venues, so maybe that’s just, not a thing at this level?

A few last wrap ups, the rain tried to come, and it sprinkled a bit before the show, during Tenille Townes, and between sets, but it managed to hold off despite the ominous overcast. The early access pre show ticket was 1000% worth it for a good spot. Bring right up front is so amazing, I strongly recommend some good concert earplugs though. For Alanis, the Encore was especially loud.

Alanis Morissette – Jagged Little Pill

Here’s another album for the “This is already so popular” list of albums, Alanis Morissette’s Jagged Little Pill. Per Wikipedia, it’s the 13th biggest-selling album, ever, and the 3rd biggest put out by a woman. There is a good chance that you’ve at least heard a song from this album, somewhere. It’s an album that really sort of embodied a lot of the 90s feel at the time. It’s an album that I listened to a lot in High School and beyond, and it’s a strong strong contender for “Most listened to album”. I like to track music as much as possible these days with Last.fm, but there are a lot of gaps in that record, from the before times, and this is one of them. Others include Pink Floyd’s The Wall, Tom Petty and the Heartbreakers Greatest Hits, and probably a few Aerosmith albums.

Why cover this album now? Because in a few days, I’m going to see Alanis in concert at the Illinois State Fair. I don’t really have a “bucket list”, but if I did, going to an Alanis Morissette concert is one of them, even if it’s 25 years late. I have not really picked up on a lot of Alanis’ later music, though I want to. Supposed Former Infatuation Junkie is the only other album I have really listened to by her and it’s ok, but not quite as good as Jagged Little Pill. Something I wasn’t aware of until recently after watching the documentary Jagged, is that Alanis actually had a few albums before Jagged Little Pill that were essentially just regular boring pop music.

Which was part of what made this album blow up and become a huge hit. There was plenty of angry rock alternative music by dudes out there, but not a lot by women at the time. The whole album is this crazy ball of angry rage for a lot of its tracks. The first single from the album You Oughta Know has long been rumored to be about her former boyfriend Dave Coulier (Joey from Full House, the goofy guy) but it’s never been confirmed. With such lovely lyrics as

Cause the joke that you laid in the bed that was me
And I’m not gonna fade as soon as you close your eyes
And you know it
And every time I scratch my nails
Down someone else’s back
I hope you feel it
Well, can you feel it?

– You Oughta Know – Alanis Morissette

The lyrics in general are part of what really makes the album appealing. It’s all so poetically blunt at times, full of anger and trauma. It also becomes self-reflective and vulnerable in other places. It starts out very in your face with All I Really Want, You Oughta Know, and Right Through You. Even the slightly more subdued of the early tracks Perfect has a built to how it’s all just too much trying to be perfect. As the album goes on it becomes a lot more subdued, but still tells a string of stories about broken history and broken relationships.

Probably the most well-known track on the album is Ironic, which is an extremely popular and enjoyable song, but it’s also the subject of ridicule and jokes as most of the scenarios in the song are more straight tragic than actually ironic. Rain on your wedding day, ten thousand spoons when all you need is a knife, that sort of thing. The real Irony I suppose is a song called Ironic without any irony in it. I doubt it runs that deep though.

Probably my favorite tracks on the album are Hand in My Pocket and Mary Jane. I really like the whole building optimism of the former, and how it almost feels like it travels through stages of a life with it’s slightly evolving Chorus lyrics. Mary Jane is a nice slow ballad where Alanis really throws out those vocals.

This is also the other reason this album became so popular I think. It’s not just the lyrics, but the way they are delivered. No one thinks twice about scream-singing with male bands, but Alanis helped bring this concept to her music. She has a very distinctive almost yodeling screech at times in her voice which feels like it should be off-putting but instead, it just drives the whole energy of the album. It pushes the rage when needed. It pushes the 90s alternative “who gives a shit really?” vibe when needed. There is also a lot fo interesting almost folksy feeling to her tracks

There’s probably a reason Alanis Morissette never really ended up with a ton of staying power on her future works, because Jagged Little Pill just really embodied the times, and left an influential legacy on music, but released any other time, probably wouldn’t have even taken off at all. I definitely am not saying it’s a bad album, I am just saying that it probably just doesn’t resonate with people who weren’t there, so to speak.

Weekly Wrap Up (07.30.2023 to 08.05.2023)

Who knows how long this one will last, but I’ve decided to try something different for Saturdays. Basically, just a sort of, rambly, weekly wrap up of… life. No structured requirements, maybe nothing happened and it ends up being short. Basically just sort of, straight regular journaling. What I’ve been doing, what I’ve gotten new, any major events, that sort of thing. I won’t discuss work really, except in vague terms, for a variety of reasons.

Something little I’ve been wanting to do, I added some outside speakers to my music set up, so I can listen to music outside while on the deck. I actually mounted them below the deck, so they would work above and below, but if it doesn’t really work out I can always get a second set for above.

The big thing this week was working on doing Blaugust. I’m taking the mad man route of trying to post at least one post a day. So far, I have…. some… pre written and scheduled, and some TBD. I doubt I keep up this pace after August. I usually keep gaming posts on Lameazoid, but it helps a lot that I’m bored of Fortnite so I’m not super playing it these days. I managed to get Optimus Prime out of the Battle Pass, which that and Summer Meowscles were basically all I cared about. I will probably skip next BP and not play for a while unless it has some super amazing stuff in it. I saw a rumor they may do an Overwatch Collab, which…. I would be really likely to go in for. Because I really like Overwatch as a concept, but I absolutely HATE Overwatch as a game.

Anyway, grinding a game like Fortnite normally eats up too much of my spare time. It’s Unhealthy gaming honestly. In slightly more healthy gaming, I picked up the Avengers game, because it’s being de-listed and it’s on sale for $6, and a bundle of Train Simulator add-ons from Fanatical, because maybe one day I will get on a TrainSim kick like I do with Truck Simulator.

It’s probably worth mentioning new toy stuff for the week too, though that really is also a Lameazoid topic, so I’ll keep it to a minimum. My Pile of Loot from BBTS reached it’s 90 days and needed shipped, so I’ve added that to the collection. I also picked up a lone Transformer from Ross. Let’s just make this one a list.

  • Transformers Kingdom Deluxe Pipes (why did I never get Huffer, the superior one???)
  • Star Wars Black Series Cassian Andor and B2EMO – I need a better Cassian than the awful original Rogue One release and this two pack was cheaper than a single BS figure.
  • Star Wars Black Series Mara Jade – It’s fucking Mara Jade. No more reason needed. Why the Sequels cut all the existing post OT lore is beyond me.
  • Power Rangers Lightning Collection Rita Repulsa – My PRLC is pretty much limited to mighty Morphin’, and it was basically there except for Rita, which was previously only available in a 2 pack with Lord Zedd, whom I already had. Now I have Rita, and she’s a pretty good figure, but I’m a sucker for cloth goods.
  • Power Rangers Lighting Collection Minotaur – OK, Might Morphin’, and any cool monsters they put out. And I need to stop buying the monsters at full retail. They ALWAYS go on markdown/clearance. So far I’ve gotten them all except Pumpkin Rapper, which I should have done, and the Snake Man, which hits all the right buttons, but I can’t bring myself to get it because it looks kind of lame. Anyway, a Minotaur figure is useful to have in general for fantasy stuff.
  • Jada Toys Street Fighter Ryu – Everyone in the toy community is stoked for this line, and Jada in general. Now that I have the first two releases, I’m more excited, for Street Fighter and for their Mega Man stuff. Because these are good figures.
  • Jada Toys Street Fighter Fei Long – I like him even more than I do Ryu.

Something else that might be useful here, with no context, and mostly for my own reference, I’m going to throw out a list of new (to me) music I may have listened to this week. It’s easy at the moment because I’m trying out Apple Music. i tend to keep this huge list of random notes of “Artists to listen to,” but never actually get to them. I want to try to get better about just, throwing them onto the endless playlist and listening to them.

Ok, I said no context, but maybe, a LITTLE bit of context might be useful.

  • Apple had one of their suggested playlists that was just called something like “African Music”, which was a collection of music, by artists from Africa. Lots of sort of hip hip/reggae sort of music. It was good stuff, but I skipped over it after a bit because I wanted to get to well, something else. It’s not that I wasn’t enjoying it, I just wanted to try other new music.
  • Let’s Eat Grandma – I think this one was a Facebook or Instagram Ad. I want to say it was decent.
  • Bluhm – I think this was another FB/IG “Suggested post” This is actually a fairly common place for me to find suggestions.
  • Laufey – Ben Folds is hosting or performing with, I’m not sure what, but basically, Ben Folds and Dodie are doing a thing with Laufey, so I thought I would give her music a try. It’s pretty good. Dodie-ish.
  • Skyr0 – Another Instagram suggestion, but this time it was a Reels suggestion. Some pretty interesting Synth music.
  • Blondshell – A bit more rock/alternative, a photographer I follow who seems to share some of the same tastes in music posted photos from a Blondshell show, so I decided to give it a listen.
  • Jade Bird – Suggested I think in the Lauren Mayberry Discord. I need to give it another go to jog my memory of if I liked it.
  • Half Gringa – One of the acts that’s going to be at Pygmalion, which I am going to in a month or so. So I wanted to listen. I decided I liked it enough to try to catch the live act, then realized it’s not actually at the event I am going to, it was just, posted by the event’s IG.
  • Claud – This one IS going to be at Pygmalion, and right before Lauren’s show, so I’ll definitely be catching their show. It’s good stuff. Some strong “King Princess but maybe not quite as raunchy” vibes.
  • David Byrne/Talking Heads – Occasionally I am reminded of some older artists and I decided that I can’t actually remember which songs they did, so I’ll throw on the “Essentials” list from Apple Music. This was the case for David Byrne. I’ve decided I don’t really care that much for David Byrne, though Talking Heads are decent..
  • David Bowie – It was also the case for David Bowie, except I know what songs David Bowie did, I just…. wanted to listen to a bunch of Bowie.