This is a super cool mega mix of the early versions of Mother We Share culminating in the final release.
#CHVRCHES #SoundCloud #Music
Josh Miller aka “Ramen Junkie”. I write about my various hobbies here. Mostly coding, photography, and music. Sometimes I just write about life in general. I also post sometimes about toy collecting and video games at Lameazoid.com.
I feel like at some point I should get around to covering the rest of the CHVRCHES album lineup aside from Screen Violence. In proper fashion, I’m going to roll it back to their first album, The Bones of What You Believe. It’s appropriate because it’s the 10th anniversary of the album. I actually can’t say accurately when I first listened to CHVRCHES, though I can say I only recently started caring about them. I know that when I started to care, I realized that I already had at least one album I had bought on Amazon. So at some point, they showed up in a $5 album sale, and I decided I liked the sound and impulse bought it.
It’s probably worth mentioning that the album also recently celebrated its ten-year anniversary.
I also know that for a while I was aware somewhere of a band called “Churches” because for some reason I thought maybe they did that song Take Me to Church, which is actually by Hozier. This is based entirely on the whole Church/CHVRCH thing.
Whatever the case, while I probably heard their more popular tracks starting from this album, I didn’t really start listening until much later, though before the Screen Violence era. Anyway, after I started listening, shortly before Screen Violence, probably at the recommendation of folks in the Sigrid Discord, they quickly shot up to the top tier of my favorite artists. They are currently 2nd on my Last.fm scrobbles. I imagine that another influence was my obsession with Forza Horizon 4, which features Never Say Die, from Love is Dead.
I would say it’s hard to pick a favorite song from the album, except the track Gun is on this one, and it’s my favorite CHVRCHES track, so that’s pretty easy to pick. I just really love the metaphor of the hook. You fucked up, and you’re going to pay for it.
Maybe my second favorite track on this album is Tether, though it wasn’t always. It’s sort of grown into that place. I just absolutely love the build from calm and slow to the break at the peak. I also really enjoy the vocal effects and overlapping sounds of this one.
There are plenty of fan favorites and other notable tracks though. Their first big single, Mother We Share is such a good opener to the album with the echoing vocals. I particularly like the up-and-down background rhythms and the slappy fake clap beat that runs throughout. I want to say Lies, was the first track they actually performed during live sets, and while it’s popular, it’s probably one of my least favorite tracks on the album, because it’s very repetitive and flat in it’s overall presentation.
A few more of the more popular tracks are Night Sky, which I believe took 2nd place for most popular in the CHVRCHES Discord tournament (behind Clearest Blue). Science/Visions goes incredibly hard, and is pretty amazing live as well. Recover was the second single from Bones and has some following but it reminds me a lot of lies in that it’s a bit repetitive and it’s lower on my list of songs I enjoy. Another really good one is We Sink, which drives pretty hard and really shows off the CHVRCHES sound well.
Also notable is how many Martin lead songs are on this album. What I understand reading the history of the band, is that Martin was going to be the lead vocals before Lauren came along. There are two tracks from Martin on the base version of this album, Under the Tide and You Caught the Light. The Deluxe version adds the previously released track Zvvl, and the 10th-anniversary release adds in the previously unreleased Manhattan and Talking in My Sleep. That’s quite a few Martin tracks from the early era of CHVRCHES. It certainly would have been a different band without Lauren.
Another that I’ve started enjoying a lot more lately, though it seems contradictory since I dislike the repetition of Lies and Recover is Tightrope, though it’s only on certain bonus versions, and is a cover of Janelle Monáe. I just rather like the “T-t-tightrope” stutter lyrics and the varying vocals in the “high or low” bits.
All in all, like most of CHVRCHES music, it’s pretty much all good. I’ve been listening to this album for a while, and I’m looking forward to the upcoming 10th-anniversary re-release and all it entails.
Josh Miller aka “Ramen Junkie”. I write about my various hobbies here. Mostly coding, photography, and music. Sometimes I just write about life in general. I also post sometimes about toy collecting and video games at Lameazoid.com.
Back in 2019 after going to see Sigrid live, I decided I really wanted to go to more concerts. I even started planning to maybe try to go to Lollapalooza at some point. Then well, the world fell apart, and there were no concerts really for a while. Things are still kind of falling apart but they are better for people making an effort to make them better (though that’s a subject for another post). I did manage to make it to another concert. I even have one, maybe more lined up for 2022 already. This time it was CHVRCHES. It’s just pronounced “Sheevurches” so don’t over think it. No wait, it’s just “Churches”.
Funny enough, Last.fm suggests I started really listening to CHVRCHES a bit after going to see Sigrid, though I also started really trying harder with tracking music on Last.fm around that time as well. I am pretty really sure I have listened to at least some of their music before 2019. I’ve been listening to them pretty heavily for the past few years, spoilers for my end of year music wrap up, but they were my number one most listened to artist this year. Though they are still number 4 over all.
This show was once again in St. Louis, this time at The Pageant, a nice music hall a little north of Forrest Park off of Delmar Blvd. The supporting act was Donna Missal, whom I had not heard before. Before the show I had a pretty tasty chicken sandwich down the block at Chicken Out. I forsake my “Ramen Junkie” moniker this round a bit because the chicken seemed faster and I just wasn’t in the mood for noodles, despite that there is a Ramen Noodle restaurant just next door to the Pageant. Maybe next time.
I got tot he venue around an hour and a half early, I really wanted to get down up front like I had with Sigrid, though the light show of CHVRCHES is probably pretty good even from a distance. I managed to end up on the bar next to the stage again, down on the right side.
The show itself was really great. I enjoyed Donna Missal quite a bit and was kind of disappointed that I could not find her merch stand, despite her mentioning it, I had kind of wanted to pick up a CD if they had any. I did go ahead and get a digital copy of her newer album later. She had some pretty amusing moments with her guitarist, who, in her words, is her “crush” though “sadly, she is married… to a man…” Her setlist was 10 songs line, 9 original and one cover.
After a brief break was the main event with CHVRCHES. What a great show. Tons of amazing lighting effects, a solid performance, despite Lauren apparently having a cold. Not quite as much back and forth banter between the three as I would have liked and have seen in some of the other concert videos, but still a bit of fun bits in between tracks. I almost wonder if some of those break moments where they would chat were sacrificed for Lauren’s many costume changes. She came out in one outfit, and shed the jacket she was wearing after the first track, changed later into a second outfit, then later into a third, which was modified for the encore songs. So essentially 5 different “outfits”, though she doesn’t leave the stage to shed her jacket.
The show was also really good from an acoustics perspective. The audio engineers definitely deserve some credit for good mixing and balancing on things. It wasn’t overpoweringly loud like the Sigrid show had been. Though I did have a set of concert ear plugs this time, something I’d recommend honestly. Proper concert ear plugs are designed to slightly dampen the sound without making if muffled or too quiet. I really did not notice anything missing.
Anyway, CHVRCHES setlist was 17 tracks long, with the majority of the tracks being off of Screen Violence, which isn’t surprising. I also managed to get much better photos and video than when I saw Sigrid.
I particularly enjoyed Violent Delights, which is relentlessly aggressive live, the chaotic build of Science/Visions, Night Sky which is always great, and the massive build up of Never Say Die. Then of course Clearest Blue was a perfect closer track. However all of the tracks were excellent.
The encore itself was particularly special. In keeping with the “Horror” surface level theme of Screen Violence, Lauren comes back on stage covered in fake blood for the final three songs, still wearing her “Final Girl” T-shirt from the last costume change.
Josh Miller aka “Ramen Junkie”. I write about my various hobbies here. Mostly coding, photography, and music. Sometimes I just write about life in general. I also post sometimes about toy collecting and video games at Lameazoid.com.
Josh Miller aka “Ramen Junkie”. I write about my various hobbies here. Mostly coding, photography, and music. Sometimes I just write about life in general. I also post sometimes about toy collecting and video games at Lameazoid.com.
Released – 2021.08.27
Note: I started on a general CHVRCHES write up I intended to post first but because I am a slacker, I didn’t finish it yet.
Screen Violence is the fourth full studio album from CHVRCHES, and the first that I’ve gone through a “release cycle” for. It was preceded by three singles, He Said She Said, How Not to Drown, and Good Girls. The videos all share a sort of kaleidoscope motif similar to the video for Gun. I suspect this was done somewhat out of necessity due to COVID and travel restrictions, it helps minimize actual contact between people and reduces cross contamination risks. Each had a sort of themed color, and all three featured the same rotating doorway. How Not to Drown is a featured collaboration with Robert Smith of The Cure.
The release cycle has been quite fun, especially while hanging around the CHVRCHES fan discord. There have been a couple of great live streams from iHeart Radio and Amazon music. The Amazon show in particular made me even more excited to see them live later this year (assuming COVID doesn’t kill the tour). A few more songs from the new album would be nice for the regular tour, but honestly I do like the idea of a nice mix of old tracks in there as well, which was what we’ve seen so far.
I didn’t jump on the merch train aside from having a CD on the way. I’m not super keen on the design of the merch for Screen Violence, I’d be more inclined to buy something Love is Dead or Bones themed.
The whole album is pretty solid, though at this point I’m not sure that it’s their best album, more time is really needed to decide on that, there’s a few tracks that are just more “ok” than great, and overall there’s some good tracks but not too many really amazing tracks that just really stand out on initial impressions. It’s definitely a darker tone and kind of a less chaotic feel than previous albums, which is nice. It’s good, I’d recommend it, but I am undecided on if it’s their best album.
The Tracks
Asking For a Friend – I’m really enjoying the sound on this track, a pretty good upbeat feel to it. I rather like the chaotic sound of the background rhythms.
He Said She Said – Originally my favorite of the three pre-release singles, but Good Girls over took it. I still like it and I find “Angry Lauren” kind of amusing.
California – This track really fits the same movies theme of Final Girl later on the album. It’s a pretty good upbeat track that slowly and quietly builds itself up over the course of the run. It feels like it’s likely going to be very popular.
Violent Delights – At least Martin gets a little bit in this track, since he doesn’t get his own track in Screen Violence. I’m not sure that I find this track super amazing on initial impression, but it also feels like it could be a track that could easily grow into being a favorite over time. It has a nice progressive and airy feel that reminds me of other popular tracks like Night Sky or We Sink.
How Not to Drown – Definitely my least favorite of the three pre-album singles. I think that enjoyment of this track depends entirely on how much people like Robert Smith and the Cure. Personally, it kind of drags on and halfway through I’m already wishing it were over.
Final Girl – An interesting sound, it feels a lot more like a “traditional band” with the guitar and drums. It’s got a pretty nice lower tone kind of retro feel to it for sure. Interesting theme of the lyrics being literally about the “final girl” survivor of horror movies.
Good Girls – The more I listen to this track, the more I really like it. It’s definitely my favorite of the three singles and possibly my favorite on the album.
Lullabies – This song reminds me quite a bit of Deliverance with it’s nice and steady and even tones. It’s not a particularly stand out track but there’s nothing particularly awful about it.
Nightmares – I enjoy the larger sound of this track and the general down tempo fullness, but there’s something that feels off I can’t quite figure out that I’m not really feeling. Some good synth work going on here though.
Better if You Don’t – A nice light closer, which has become a sort of standard it seems, though it’s not nearly as light as say, Afterglow. Just a nice guitar backed, light rhythm, track. I like it.
And just to sort of wrap up here, I figure I’ll throw in my personal ranking of all ten tracks on the album.
Josh Miller aka “Ramen Junkie”. I write about my various hobbies here. Mostly coding, photography, and music. Sometimes I just write about life in general. I also post sometimes about toy collecting and video games at Lameazoid.com.
Ramen Junkie