The “theme” for this week in Blaugust is “Creators Appreciation Week” or something along those lines. I’m not really great at this sort of thing, I can’t really say I particularly have any sort of “idols” or anything and I follow a zillion people on various platforms, I could never really properly pick even a handful to ever spotlight. Plus it always just feels weird to me to put anyone on a pedestal, though maybe I shouldn’t feel that way, people appreciate being appreciated usually.
Instead, I guess, I wanted to talk a bit about Leo Laporte, “The Tech Guy,” though I am not sure he really goes by that anymore since his syndicated radio show ended.
Why Leo?
Because of all the content creators out there that I do follow, I’ve possibly followed Leo the longest. Leo currently runs the TWIT Podcast network, or at least, hosts most of the shows, I think his wife actually “runs” things. He created it, however. It’s a collection of tech-themed podcasts on a variety of topics.
I’ve followed Leo since before that time though. I actually have a bit of a funny history there. Back when I was in High School, I think probably at the tail end, around 1997 or 1998, while living in Indiana, our cable added a channel, ZDTV. The whole channel had this great almost cable-access feel to it. I don’t remember a ton of the other shows, but I always would watch The Screen Savers, with Leo Laporte and Kate Botello as the hosts. They would just, talk about all sorts of computer and techy stuff. The content was perfect, and the production quality was a bit dodgy, it was the best show I had ever seen.
After High School, I briefly attended school at IUPUI for one semester. During that time, my dad transferred his job and my parents moved back to Illinois. I lived with my aunt and uncle for a bit attending school. After that one semester, I moved back in with my parents in Illinois.
Which meant no more ZDTV, no more Screen Savers, the cable we had in Illinois didn’t carry ZDTV.
Which is where the “funny part” comes in. From what I gather, a lot of Leo’s followers and fans came from his time on TechTV, and later G4, which ZDTV transformed into. I am not sure I’ve ever had access to or watched G4 TV at all. I just caught him early on with it was still ZDTV.
A good while later, and I have no idea how I discovered it, but it was very very early on in the life of it, I discovered TWIT. I should probably sidestep here to mention, TWIT stands for “This Week in Tech”. It may have been the only show at the time, and Leo was doing it out of his house or maybe just the original Cottage (hell it may have been the same thing), but there he was, Leo Laporte, still talking tech. On a weekly basis, in a podcast.
So I picked it up. I had to download each episode manually to put on my music player but I started listening every week. In fact, I’m not sure I have missed an episode in all that time, not of TWIT at least.
Eventually, TWIT became the TWIT Network and added more shows. I picked up Windows Weekly very early on. I used to listen to Net@Nite with Amber Weekly until it turned into This Week in Google, which I listened to for a while but don’t currently. Occasionally I pick up episodes of Security Now. I mostly stick to Windows Weekly and TWIT, I am a big fan of Paul Thurrott, who can get a little repetitive in his rants but I sympathize with a lot of his grievances so much.
Ever present in these shows is Leo though, who hosts most of them. I also really enjoy the rotating menagerie of interesting people each week on TWIT. I’ve picked up so many blogs and other accounts to follow through TWIT. It’s one of the things I look forward to the most each week honestly and it’s always entertaining.
Let’s see how long I can manage to keep up a vague theme for these posts. This week I wanted to throw out some videos with some fancy “science-y” themes. I use that in the vaguest since, because at least one is kind of a stretch but it’s certainly nice to look at.
Also, it’s a bit “Music Monday-ish” as well, since it’s Tuesday, because yesterday I posted about the Alanis Morrisette Concert. (Unless for some reason I didn’t go and forgot to remove that line, wait, now I need to remove this line if it does happen….)
Lusine – Just a Cloud (feat Vilja Larjosto)
I am completely fascinated by this video every time it comes up on y playlist. I really like the sort of layering of patterns that is present across the entire length of the track. It does a nice soft build as the song goes along. What I really like though in this video is the use of light.
I mentioned those patterns, and they essentially each also have their own light effect in the video. It’s about as close as you can get to “seeing music” without, I dunno, dropping acid or something, I’ve never tried that I can’t really say.
Wintergaten – Marble Machine
This guy has essentially made a career out of this crazy marble machine. He’s got a whole series of videos about the process he is doing to continually update and upgrade and basically build a more perfect device. I still really love this version though, with all the shaky jank going on. It’s a nice pleasant little song too.
The Engineer part of my brain loves all the technical planning and design that had to have gone into making this all work as well as it does, and the work being put in on the updated device.
Nigel Standford – Cymatics: Science vs Music
I mentioned about about being the “best way to see sound” and I guess I was wrong, because this video is the best way to see sound. Quite literally. Most of the experiments featured in this video are sound based experiments. The vibrations in the water pans, the way the water curls with the base, the funny patterns made by the graphite on the trays, the way the flames pop up and down in patterns. It’s all matter reacting to sound in a clean enough way that we can see it.
Sound travels in waves, most of these are just the sound waves visualized.
Except the Tesla coil at the end, that’s just, “cool science” that doesn’t really have much to do with sound.
Alanis Morrissette, singing Ironic, the first song she has actually heavily encouraged audience participation in, and her mic goes out. The audience had already been doing like 50-75% of the song without her so the band just continued and no one noticed until it came back a few seconds later.
It’s it Ironic?
Don’t cha think?
Last night, I went and saw Alanis Morrissette perform at the Illinois State Fair. In traditional fashion, I’m going to ramble on a bit about the whole night’s experience. For the sake of simplicity, you can get a bit more highlights about my love of Alanis in my recent post about Jagged Little Pill.
A couple of years ago, I almost went to see Alanis and Garbage during their tour together, She was going to be in Indianapolis, and I have family over there I could see, I checked into tickets and they were, a bit more than I cared to spend, for where they were located. Plus it was still kind of “The middle of COVID” so it seems like maybe it was best to just not. Then a few months ago, she was announced as coming to the Illinois State Fair this year. Each year the fair has a large show, I think every night, maybe races a few nights. I hopped on over and signed up for her mailing list to get in the early sales window. My wife wasn’t interested and my brother was interested but that fell through. Since it was just me, I bought tickets for the standing area on the track. Later I learned the fair offers a “Pre Show Party” for pretty cheap, which includes early entry and a parking pass. That seemed like a good deal, so I spring for that.
I’m glad I did.
I opted to go right to the “wait in line” part of the Pre Show Party after buying a bottle of water (which cost me more than an entire case of water normally, but hey, it was some charity group running it). I was like, 25 in line I think, and people kept wandering out and back for more drinks. The only other time I’ve been to a show was like ten years ago for Toby Keith, my wife and daughter wanted to go. This was my view.
When we went in, I had a notion that most people would pile in on the right side of the stage since we were let in on the right, so I shuffled around past to the left side of the stage and ended up pretty much right in the center, I was next to the dude who had been at the front of the line. So this was my view.
Perfect.
Around an hour later, and some light rain, which threatened to become worse, the opening act started. I actually didn’t realize there was an opening act, nothing really mentioned it.
Tenille Townes
I don’t know what it is about opening acts, but it’s like they are required to do SOME cover songs. I don’t mind covers, but her set included I think 3 covers. Oddly enough, I could see the setlist taped to the floor and the second song listed, “Come as You Are”, was NOT a cover of Nirvana. It’s was a Tenille Townes track. She did do covers of U2’s I Still Haven’t Found What I’m Looking For and The Beatle’s Come Together.
I am not familiar enough with her song’s to remember what most of them were called and Setlist.fm isn’t helping me here. Funny enough, I am pretty sure I have heard her music before because Somebody’s Daughter was very familiar when they played it.
For the most part, I enjoyed her set. They work the crowd well and she was pretty chatty the whole time. The whole band really seemed to be enjoying themselves. Based on her style and twangyness, she is a country singer, but it’s a very “Rock and roll” kind of country.
Alanis Morrisette
After the usual “tear down and swap over” it was time for the main event.
Pretty much as expected, most of the setlist consisted of songs from Jagged Little Pill. The recent tour was for the 25th anniversary of the album, and most of her well known songs are from that album. In face, the setlist included ALL of Jagged Little Pill, including the hidden track, Your House. It also included several of her other more well known singles as well as some of the less known tracks, though many of those were simply, brief interlude moments, and not the whole songs. I’ve embedded a neat little Setlist from Setlist.fm, but it’s deceiving because 7 of the tracks (Hands Clean, Diagnosis, So Unsexy, Nemesis, Losing the Plot, Sympathetic Character, I Remain) were not full songs.
Anyway, the show, was awesome. I can’t say it was the best show I’ve been to, but it was damn good. The music was of course, all very very familiar, but at the same time, as is usually the case, the live versions are different and just generally better. There was so much going on at times too, it was kind of hard to know what to choose to focus on, there was a large screen that was showing some interesting videos to go along with each song. Alanis herself, dancing around stage quite a bit, including that sort of, long stride walk she does (I’ve seen it in some other videos).
Then also the band. Man, the band was amazing, especially the bass player, Cedric LeMoyne, but I’ll say also especially the lead guitarist, Jason Orme. I am assuming lead, there was also a second guitarist, Julian Coryell, playing on several interesting looking small guitars, but he seemed, I dunno, less active in general, not just in stage presence, but also in his playing. I may be totally wrong though. The drums, Victor Indrizzo, and keyboard, Michael Farrell, were also very good, though of course, the nature of both of those means they are quite a bit less showy.
I do want to throw out my one complaint, since it’s related, the rest of the band was very often, in the dark. I couldn’t remember their names, though they were introduced, and finding them was actually kind of difficult. Or at least, it took a lot more work than expected. Like, I love you Alanis, but the these guys were amazing, maybe give them a little bit of that spotlight. Looking at a few other videos this doesn’t always seem to be the case so I almost wonder if there was something going on with the venue’s lighting, though this wasn’t an issue in the Tenille Townes set and if they needed more lights, they could have dropped the weird back of the stage spotlight that basically just, were blinding.
Back to the show though, and the band, that bass player, Cedric, dude was absolutely amazing. He had several moments where he did little solo parts and his playing was great, his stage presence, what you could see, was great as well. I am going to have to check out his previous/other band Remy Zero a bit to see if any of what he was doing here shines through there. The band name actually sounds familiar, so maybe I’ve heard of them at some point.
Alanis herself was amazing as well. There is a phrase “Eat the Mic”, which is to say, hold the mic so close you’re lips are touching it, because you’re too quite. I see this literally quite a bit on some of the videos I’ve seen of artists. Alanis, does the opposite, by a long shot. I mean, it’s kind of her entire style, the very loud screaming sort of singing, but she often had that mic feet away and she still came through fine. I do wonder a bit why she uses a corded mic though, as much as she is back and forth across the stage, it seems like the cord is kind of a hazard, plus cords are prone to failure with that much moving around (they actually swapped out her mic about 3 songs in, and it completely cut out during Ironic briefly).
I appreciate the use of some of the lesser known tracks as interludes. Understandably, she would go get a big drink between almost every song, and often would do a sort of, subdued little bit from a song, just standing in place near the back. I don’t know a ton of her feeling on it all, but i suspect that after 25 years, it gets a bit old singing the same album constantly, especially because she has had several albums since. There wasn’t any of the latest album at all, though that’s kind of understandable since The Storm Before the Calm is an electronic music based meditation album. It’s decent, but you don’t really want to put your crowd to sleep with calming meditative music.
Some highlights, Wake Up where they break out ALL THE GUITARS was pretty good. I do wonder a bit just how many guitars it takes to be “too many” sometimes.
Forgiven is already a pretty intense song, made way more so with the live performance, with all the drama of the song brought out for the stage.
Uninvited and Smiling both start out light-ish but build into an intensely chaotic but well done ball of energy and sound and guitars. Smiling may have been my favorite of the night.
As mentioned above, she really encouraged the audience to sing along to probably her most iconic song, Ironic, I think the audience would doing at least 50% of it with her holding the mic out to the crowd to sing.
The encore performance of Your House was so hilariously good. She kept stopping the band in feign disgust and they would start again doing a different style of music as the backdrop, all not anything like her normal style, like funky or jazzy riffs.
I will throw out there, I kind of wish there was a bit more audience interaction. I guess I’m used to some really talky artists, but I am also a bit more used to smaller venues, so maybe that’s just, not a thing at this level?
A few last wrap ups, the rain tried to come, and it sprinkled a bit before the show, during Tenille Townes, and between sets, but it managed to hold off despite the ominous overcast. The early access pre show ticket was 1000% worth it for a good spot. Bring right up front is so amazing, I strongly recommend some good concert earplugs though. For Alanis, the Encore was especially loud.
Let’s start getting to a much more robust part of my computer using history. The Commodore 64 certainly was the seed, but this machine was what really catapulted my interest. It’s the first “Real PC” I used growing up. Technically, like the Commodore and the next chapter, this computer belonged to my parents, but my friends and I used it a lot for quite a few things, beyond just gaming.
Though we did use it for gaming.
Gaming
Visually, it was actually kind of a downgrade from the Commodore. The C64 connected to a small color TV (which would eventually be my bedroom TV, with a big chunky couple of knobs on the front.) The Franklin has a monitor, with two colors, black and green. It had two whole 5.25″ drives in it, no 3.5″ disk drives and certainly not a hard drive. It did have a cool dot matrix printer though, which I’ll touch on a bit more in a bit.
It’s worth sidetracking a bit during this time period, and worth mentioning my out of state but fairly frequently visited grandpa had a Tandy 1000 machine, with a color monitor, and that was totally amazing. It pretty much overlaps with this same era of my home PC use and my grandpa was the source of essentially all programs and games I had at home. I have no idea where he got them, but I made copies of most everything he had and his disks were all copied from somewhere. Mostly I remember playing two titles on my grandpa’s PC, along with my brother and cousins. King’s Quest 1, which we never could figure out, but it was fun. And Leisure Suit Larry 1.
Now, Leisure Suit Larry, for the uninformed, is an old, “adult” game series. We did not know this, and we never did reach any of the old content, because like King’s Quest, we make some progress, and the game was funny, but we never did get past a certain point. Specifically, we never did figure out the door password (it’s Ken Sent Me), so we never could progress the plot beyond drinking at the bar, gambling at the casino and buying booze and “lubbers” at the convenience store. The age gate on this game was that it would ask a series of questions that “only adults would know”. So my cousin and I would load the game, then go to the kitchen where out parents were hanging out, and ask them the questions, to get the answers.
Anyway, I don’t believe either of these games worked on the Franklin PC we had at home, because it wasn’t EVGA.
There were others, but the two most notable games we played at home were The Ancient Art of War and Simcity. One was an early sort of RTS game, the other was well, Simcity. Both are notable here because they had user created content. Simcity is all about user created cities. Even with the limits of the game, I remember building out mirrored cities sometimes, then using the disasters to pretend they were at war. Simcity also had some DRM, because you had to enter the population of a city from a sheet of paper based on some hieroglyphs. My friend actually owned the game, so I would just, call him up and get the numbers, I also had a selection of them written down in a notebook, and would just close and reload the game until the random city was one I had marked down.
I also would use that sweet printer to print maps, because it was a feature of the first Simcity. You could print out your city, and it would spit out I think 16 sheets of paper that you could tape together in a 4×4 block of paper sheets and have a huge cool map poster. I may have one buried somewhere too. I would then color in all the zones with the correct colors with marker to make it look cool. You might wonder how I knew what the colors were, well, my grandpa had that TANDY 1000 and my friend had a color PC, so I was aware the game had colors, I just, didn’t get them.
Ancient Art of War let you make custom maps and missions. Which was so awesome and I spent a lot of time making maps. Assuming the data hasn’t been corrupter, I have copies of those maps somewhere, maybe I’ll post them. There were several other games I played a lot that also had user generated content. There was a golf game where you could make courses with dinosaurs and play as Jack Nicklaus. And me back then, had no idea what the Joker Guy (Jack Nicholson) had to do with golf but ok whatever. There was a baseball game called Earl Weaver Baseball where you could do custom teams, and I would make teams themed around video games, like a River City Ransom team, and a Mega Man team where every player had maxed out stats (because robots are perfect).
I think my point is, that this was part of the birth of my interest in digital creation. But not just for games.
Programming
During this time period, my dad was going to college through his job, and getting a degree in Computer Science. I have no idea what a Computer Science degree in the 80s involved, but I remember going to the graduation (vaguely). Or at least him graduating. At some point though, presumably because he was learning it as part of the curriculum, he taught me a bit of BASIC computer programming.
I would have been like, 8 or 9 at this point. I showed my friends how to do it as well, and we would make silly little useless programs that would print out funny patterns scrolling on the screen. Or “super secure password” systems, along the lines of:
10 IF password="SECRETPASSWORD" THEN 30 PRINT "SECRET DATA" 50 ELSE 70 PRINT "NO WAY LOSER" 90 END IF
I have no idea if that’s actually valid BASIC code, I pulled up a guide to IF/Else in BASIC and cobbled it together.
The point is, it was fun. And it was my first experience with actual programming.
Newsletters
Then there are the newsletters my friends and I would produce using a program called Newsmaster. I have this vague idea that this was the “start” of my writing desire and the newsletters we made, were the precursor to The Chaos Xone, my first website which evolved into Lameazoid.com. These were simple 1 page video game themed “newsletters”. You can actually read these here (Issue 2, Issue 3, Issue 4, if you want, translated into HTML. They are, as basic as you would expect for something produced by 10-12 year old kids.
But that was yet another growing seed of interest. So much started with this machine, a real actual PC with actual useful programs. This doesn’t even touch on the part where it was an 80s IBM PC, which meant booting to DOS, on a floppy, because there isn’t any hard drive in it at all. There was no Windows, it was all a CLI interface. Yet another skill and seed learned from this machine.
Ramen Junkie 
