So, like many people within a pretty large range of my age, I was, and am, a huge fan of Calvin and Hobbes. I am sure Peanuts and Garfield would try to make the claim, and there is a good argument to be made for The Far Side, but Calvin and Hobbes may be the best newspaper comic there ever was. And that’s not really hyperbole. It perfectly road that line between, “appealing to younger folks” through Calvin’s adventures with his imaginary friend Hobbes (a stuffed cat who comes to life for Calvin), and still appealing to adults, by using clever metaphors to make statements on the real world.
It’s the kind of magic the Muppets have done for ages.
The strip only ran for ten years too, from 1985 to 1995. Bill Watterson, the creator, has also done something super interesting in that there is basically no Calvin and Hobbes merchandise. There was like, one school book and a couple of calendars, everything else is bootleg, including all those stupid “Calvin pissing on things” stickers. I assume he is doing okay for himself on the book sales, and I admire his refusal to cheapen his creation.
He also hasn’t done anything else since until now. He’s put out a new book, alongside another creator, John Kascht. The book has nothing to do with Calvin and Hobbes, but it’s worth mentioning the strip, because I am sure, like myself, a LOT of the interest in this book comes from people who loved Calvin and Hobbes. There are some videos and articles about the process, and the two apparently went back and forth a bit on how to present the visuals. It seems that Watterson did a lot of the painted backdrops, and Kascht did more of the physical foreground material. The images themselves are a combination, done using photos, that look a lot like elaborate illustrations. The story is quite simple in design and presentation but seems to mostly be the work of Watterson.
The book itself is essentially a “children’s book” in presentation, with a simple singular sentence on one page, and artwork on the opposite page. The artwork is very, very, bleak. I don’t mean it’s bad, I actually really like it, but good god it’s bleak. If you came into this expecting an upbeat comic book story, you’re not going to get it. The story is pretty bleak as well. It’s short, a rough count says, 35 pages long, maybe on average 10-15 words per page. This post is probably longer in total than the entire story. It follows something called The Mysteries, and their exit and subsequent return to the world. In Calvin and Hobbes fashion, the whole thing kind of feels like a metaphor for a few things. One being, how the society in the book basically exists in fear of the unknown, with no desire to really understand it or change. The later half takes quite a turn and seems to be a metaphor for the climate crisis.
Maybe I’m just projecting what I think it is, that’s kind of the beauty of writing sometimes, when done properly, the meaning is up to interpretation. This is also why I like a lot of the music I enjoy as well.
Also, I suppose I am kind of spoiling the story a bit but the story is pretty basic, and honestly, It’s not a book you buy for the story.
The book itself is quite nice. The size is a bit smaller than I expected, but it’s not too small or anything. The cover has this wonderfully textured cloth feel to it, and feels very sturdy, the pages themselves are nice heavy glossy paper. For the little content there is, the book definitely has been designed with a lot of care and consideration and desire to make a real quality product. It’s a “children’s book” story, with a very “adult presentation.” I suppose that’s the kind of work Watterson has always done, with the way Calvin and Hobbes was in its ability to be appreciated by younger and older folks.
Another slowish week, aren’t they all kind of that way. I’ve been filling a lot of my time with learning again, on two paths. The first is the fairly newishly released Foundational C# with Microsoft Learn on FreeCodeCamp. It all feels very familiar as I know some C/C++ and some Python and some Javascript now. The real issue there is I am constantly forgetting things like semicolons. Also, Arrays feel really screwy in C# for some reason. Variables in general I suppose, because I’m not used to explicitly typing variables.
I’m going to finish it, but I am a bit let down because the course is all, “Build something to work in the Command Line”. Which is cute, but I really want to get more into building things with GUIs and things that aren’t just cute automation scripts.
Which sort of touches on the other learning I’ve been doing, which is explicitly graphical, because I have been learning GODOT, the game-making engine. I’ve only done one course, but I picked up the recent Humble Bundle package. It’s a rerun of Zenva courses, and I thought I had picked it up previously. With the whole current Unity controversy, it’s come back for an encore. I rather like it so far, granted so far it’s been a crash course of the basics and then build simple little coin-collecting game.
I did already modify the tutorial code a bit because I didn’t like that the character could leave the screen. I may mess with it a bit more. I kind of want to build Pong, again, with it. Pong has sort of become my own personal “Hello World” of game-building projects in different types of code. So far I’ve done it in Python using Turtle, and C for the Arduboy. I’ve been thinking a bit lately about if it could be done using CSS and HTML since CSS can handle some variables and do dynamic actions. I’ve also been thinking of how to make it using prims and scripts in Second Life.
Back to GODOT, it has some advantages because the scripting is similar to Python, which I am most familiar with. The courses are all fairly quick too, which is nice. It seems kind of corny, but I do really get a kick out of these basic simple games on these various platforms. I think it’s just the whole “I made this”. Even when it’s like 90% some tutorial, it’s still neat because, “I made this, I put this together and now when I press the WASD or Arrows (another mod I added), the little character moves and collects the little coins.”
God knows if I’d ever actually produce anything to “release” but I’ve always loved the idea of making a game sometime. I used to draw out elaborate platformer levels based on other games in a sketchbook when I was younger.
The other real big event this week was my wife’s uneventful (her choice), 50th Birthday. We didn’t really do anything on the birthday itself, I went to the store, so exciting. There is a party the following weekend (today), but I’m not sure she is super excited for it.
Activity Log
I didn’t acquire anything really beyond the GODOT Humble Bundle. Oh right, I did pick up GI Joe Classified Shipwreck. Then I picked him up again, after returning the first one, because the hand broke off, with barely a touch, right out of the package. Lousy shoddy QC there Hasbro.
I am bad at selfies. I added one last week to these little journal posts and I wanted one for this week but they are kind of bad. Or maybe I am just bad at looking excited.
Anyway, I’m not late, I am intentionally not on time, because I was busy yesterday. I spent almost all day in Champaign (Urbana technically) at the Pygmalion event at the Rose Bowl Tavern. I’m actually not sure if there is one of these or more of them per year, but it’s apparently the 19th year. It’s a little craft vendor fair alongside a bunch of musical acts both indoor and outdoor. I primarily went to see Lauren Mayberry’s first solo tour. But I also like music, so I went early to see all of the outdoor shows. There was swap flip-flopping between in and out on the schedule, I didn’t want to lose my spot up front, so I just stayed outside. There were other Lauren/CHVRCHES fans there doing the same, which isn’t surprising.
Overall I saw 6 acts total, one of the scheduled outdoor acts, ggwendolyn, had to cancel. This also meant the schedule got compacted up and while it was originally supposed to start at 1:45, things didn’t start until 2:45. So I got there early, and then got to wait a bit longer than expected. Not a huge deal. I got to watch them doing the soundcheck, which, at least for me, was super interesting. This guy, we’ll call him Bob, because that was his name, everyone on stage called him that, would go around checking mics and making sure things work then he’d head into the “crowd” and have band members do tests to balance things out. Then they would all adjust their little personal directional speakers for levels on the various tracks (vocals, drums, guitars, etc.) on a personalized basis. All from a little portable wireless pad. It was neat.
Also, I say “crowd” because at this stage of the day, there were, maybe 20-30 people mingling around the small parking lot area where the shows took place. As the day went on, the bands became clearly more and more professional about how they operated, and basically just, produced better and better sound. As as that progressed, the crowd size grew and grew. It was fun to watch actually. From fairly basic setups to more and more complex setups, from using the house speakers for the feedback audio to using in-ear headsets. From just, checking the watch after every song to see how much time there was to play, to having a full-on set list, ready and set up and available. From random comments about writing up songs because of “X”, to having full-on fun little stories.
Anyway, I saw, in order:
Emily the Band – She mentioned that she went to school at U of I in Champaign and had played at the Rose Bowl Tavern a few times, so they seem to more or less be a local band. It was the first time they got to play on the main stage. I enjoyed their set and they seemed like they were having a fun time all around.
Fiona Kimble – She was alright, though probably my least favorite of the day. The easy comment here is, it felt like there were too many people on stage, but then she said the pianist had come in special and they did a couple of duet songs, so well, maybe it felt like too many people because they had a bonus person in their set.
Lutalo – I really enjoyed his set. It was very low key, basically finger-picking folk music on an electric guitar. Dude seemed to really get into his songs too.
Tim Atlas – Dude was really good, and they hit all the right notes of having a band that felt like they all were really having a good time while putting out some good, varied music. The guitarist also had a talk box (think Peter Frampton, Do You Feel Like We Do), for one song, which was fun.
Claud – The only artist I managed to get around to listening to before the show, and it’s funny how much that changes one’s perception. I also found that I really enjoyed Claud’s music, from my before the show listening, and I was already kind of a fan, because it’s enjoyable. I don’t really know why but it kind of reminds me of sort of, toned down a bit King Princess. Just the vocal styling, the lyrics, and all that. I want to listen to more of the artists I saw but probably Claud most of all.
Lauren Mayberry – Ok, Claud most of all, behind the obvious. I tried to mostly avoid watching other people’s videos of Lauren’s solo tour, so I could mostly go into this show blind. I had already listened to the one single, *Are You Awake*, and I had listened to *Crocodile Tears* beforehand. It was all great, and definitely a good different feel from Chvrches. Kind of reminds me a bit of Wolf Alice maybe. Probably my favorite was the final track, *Sorry Etc*, which is one extreme end of the styling and very very “screamo punk rock” style. The other end probably being *Are You Awake*. Also, probably just because of where I ended up standing up front on the end of the stage when she came to my side of the stage, she seemed to be “angry face screaming” a few times like right at me.
Please don’t want to kill me Lauren, I’m sorry, etc.
Anyway, I’ll probably make a gallery of my photos at some point, though they aren’t real amazing, my phone’s camera isn’t super great. I had asked them about bringing my proper camera and it was in the car but I decided it was too much of a hassle.
I did have a fun good sign moment before the show. I had stopped in a few stores over in Champaign before the show, and when I walked into Five Below, there was a familiar voice on the radio, with the CHVRCHES/Marshmallow collab track Here With Me. It took me a minute to place the song because I don’t really listen to it, basically ever. I keep forgetting it exists, which is funny because in some ways it may be the most popular CHVRCHES track due to the Marshmello exposure.
The rest of the week was relatively uneventful aside from Friday evening. I went and met up with my parents and brother and a couple of my nieces and we went to watch the Route 66 Carshow parade in Springfield. I didn’t end up taking any photos, but it was fun. Basically, a lot of the classic cars that are in the show itself all just, drive to downtown. They go a pretty good distance, as they start down near Dirksen and Stevenson Drive and go downtown. I realize this is meaningless to most people but this means they go 3 miles or so up Stevenson and then 3 miles or so up 6th Street to downtown Springfield. It’s a good distance on some main throughways in the city, especially for a bunch of classic show cars. Also, there is a police presence, but they also don’t block the roads, so there are just, regular cars driving around them.
I’m sure I’ll write up on it eventually, but I also kind of spur of the moment updated my PC from Windows 10 to Windows 11. It’s mostly the same honestly. I hate how I can’t dock the taskbar to the side though and I immediately changed is the centering on it though because the centered icons is functionally garbage and it’s ugly as shit. I also found a cheap price to update it to the Pro version from Windows Home. There are a few virtualization things that are only in Pro, but also only Pro allows for Remote Desktop access. It’s actually something I have been wanting to do even in Windows 10, for the same reasons. Also, in theory, I think Pro has fewer ads stuck in it, because well, you’re paying for it.
On Friday before going to Springfield I had the day off so we also put out the fall decorations around the outside of the house, though they aren’t completely finished. Also a few indoor ones but my wife does all that, I just haul totes around for that.
Activity Log
I’m not going to go into it all, but one of the stores I went to was Ollie’s. Which I’ve been to elsewhere years ago when traveling, but this one opened up recently, closer to where I live. It’s basically a closeout store, lots of stuff for like, 75% less than what it would have been originally. They had a ton of Marvel Legends I didn’t care much about, and a few Star Wars Black Series I didn’t care about. What I did pick up was a pile of Fortnite stuff. Also, they had a bunch of Eternals Marvel Legends, which I have most of from previous markdowns, but I picked up Ajak, which was the only one I didn’t have. I kind of really like the design of the Eternals, but I they are also all very samey looking, with almost no accessories, which made the figures a huge turn-off at the standard ML pricing. I’ve managed to collect them all at like half price or below, which is just fine for me.
I feel like at some point I should get around to covering the rest of the CHVRCHES album lineup aside from Screen Violence. In proper fashion, I’m going to roll it back to their first album, The Bones of What You Believe. It’s appropriate because it’s the 10th anniversary of the album. I actually can’t say accurately when I first listened to CHVRCHES, though I can say I only recently started caring about them. I know that when I started to care, I realized that I already had at least one album I had bought on Amazon. So at some point, they showed up in a $5 album sale, and I decided I liked the sound and impulse bought it.
It’s probably worth mentioning that the album also recently celebrated its ten-year anniversary.
I also know that for a while I was aware somewhere of a band called “Churches” because for some reason I thought maybe they did that song Take Me to Church, which is actually by Hozier. This is based entirely on the whole Church/CHVRCH thing.
Whatever the case, while I probably heard their more popular tracks starting from this album, I didn’t really start listening until much later, though before the Screen Violence era. Anyway, after I started listening, shortly before Screen Violence, probably at the recommendation of folks in the Sigrid Discord, they quickly shot up to the top tier of my favorite artists. They are currently 2nd on my Last.fm scrobbles. I imagine that another influence was my obsession with Forza Horizon 4, which features Never Say Die, from Love is Dead.
I would say it’s hard to pick a favorite song from the album, except the track Gun is on this one, and it’s my favorite CHVRCHES track, so that’s pretty easy to pick. I just really love the metaphor of the hook. You fucked up, and you’re going to pay for it.
Maybe my second favorite track on this album is Tether, though it wasn’t always. It’s sort of grown into that place. I just absolutely love the build from calm and slow to the break at the peak. I also really enjoy the vocal effects and overlapping sounds of this one.
There are plenty of fan favorites and other notable tracks though. Their first big single, Mother We Share is such a good opener to the album with the echoing vocals. I particularly like the up-and-down background rhythms and the slappy fake clap beat that runs throughout. I want to say Lies, was the first track they actually performed during live sets, and while it’s popular, it’s probably one of my least favorite tracks on the album, because it’s very repetitive and flat in it’s overall presentation.
A few more of the more popular tracks are Night Sky, which I believe took 2nd place for most popular in the CHVRCHES Discord tournament (behind Clearest Blue). Science/Visions goes incredibly hard, and is pretty amazing live as well. Recover was the second single from Bones and has some following but it reminds me a lot of lies in that it’s a bit repetitive and it’s lower on my list of songs I enjoy. Another really good one is We Sink, which drives pretty hard and really shows off the CHVRCHES sound well.
Also notable is how many Martin lead songs are on this album. What I understand reading the history of the band, is that Martin was going to be the lead vocals before Lauren came along. There are two tracks from Martin on the base version of this album, Under the Tide and You Caught the Light. The Deluxe version adds the previously released track Zvvl, and the 10th-anniversary release adds in the previously unreleased Manhattan and Talking in My Sleep. That’s quite a few Martin tracks from the early era of CHVRCHES. It certainly would have been a different band without Lauren.
Another that I’ve started enjoying a lot more lately, though it seems contradictory since I dislike the repetition of Lies and Recover is Tightrope, though it’s only on certain bonus versions, and is a cover of Janelle Monáe. I just rather like the “T-t-tightrope” stutter lyrics and the varying vocals in the “high or low” bits.
All in all, like most of CHVRCHES music, it’s pretty much all good. I’ve been listening to this album for a while, and I’m looking forward to the upcoming 10th-anniversary re-release and all it entails.
Ramen Junkie 
