Music

Music

Calibrating My Audio-Technica AT-LP60

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I don’t have a ton of vinyl records, but I do like to actually listen to them. It’s a topic for its own entire post, but I don’t collect anything for its “value”. I collect because I want to enjoy it. I point this out a bit because I also have a shitload of toys. I noticed something recently, that I am surprised I didn’t notice before, or maybe it just, didn’t actually click that it was an issue. Last week I got 1989 (Taylor’s Version). While listening to that, everything seemed, slightly too fast. I think I may have noticed this a bit with my Bone’s 10th vinyl as well. In the case of the Taylor Swift album, I decided it was just something to do with it being a re-recorded album, and not a straight remaster/release.

More recently, I got my copy of Aurora’s All My Demons… (Commentary here)…

Because I started hardcore tracking my listening with Last.fm years ago, I can say, with confidence, that I have listened to this album a lot. I can’t say it’s my most listened to album of all time for sure, but I can say, it’s the top since I started tracking. When listening to it, things were definitely off. The whole thing was running slightly too fast, and Aurora’s wonderful vocals sounded weird.

My first thought was, that maybe the belt was wearing out. It also occurred to me, that it’s a belt, it probably has a tension adjustment somewhere. I looked up a copy of the manual, which didn’t mention it anywhere. But, various audio forums did mention it. On the bottom of the players, are two small holes, where a screwdriver can be inserted and the tension adjusted, altering the rotation speed.

The problem then was, how to know if the speed was right. I probably could have done it by ear with All My Demons, but the adjustment is on the bottom, I can’t adjust it while it’s playing (well, not easily). It turns out, there are technical ways to do this as well. One of the search results mentioned a printable strobe guide. I’m not positive what this is, but I can infer based on other things I know of. I suspect it works like a Zeotrope, where you get a sort of animation going when the record spins at the proper speed.

Another result suggested an app called RPM Speed and Wow. As the name suggests, it uses a phone’s accelerometer to measure the RPM and Wow of a turn table. I’m not entirely sure what Wow is, it seems to be related to audio distortion, I may look into that later a bit more. For now, the concern was the speed. I loaded up the app, placed the phone on the turn table, pressed the “pause” button on the player, which prevents the arm from dropping, but not the table from spinning, and pressed play. After about a minute, I had a measurement of 34.99 RPM, almost 5% off.

Suddenly it makes sense why all the music seemed too fast, because it was!

I dug out a small screw driver and carefully lifted the player up to turn the knob. One issue was that I wasn’t sure which direction to go. I went with clockwise (Spoilers, the correct direction is counter clockwise). I tested again, but it didn’t change. I tried counter clockwise, no real change. So I went and got an even smaller screwdriver.

Left Screwdriver was too large to fit, the right was needed.

It takes a very small screwdriver to get in the hole properly to adjust the knob. Also, it takes a very very very small amount of turn to adjust the speed. The best way I can describe it, I needed a 5% change, which pretty much meant a 5% turn out of a whole circle. I doubt it’s actually that exact, but it’s very very slight.

Anyway, after going Clockwise, things got faster, so I lifted things up and went counter-clockwise until I landed on 33.12 RPM. This is around half a percent too slow, which frankly, is close enough. Probably as close as I am going to get without seriously altering my methods. For one thing, during at least one tip to adjust, the turntable itself fell off, so I had to put it and the belt back on, which probably screws up these small adjustments I’m making as more than half a percent.

I put my All My Demons record back on the turn table and fired it up, and it was better, much much better, enough that it wasn’t noticeably off.

Just as a quick wrap up, I want to give a shout out to this Matco screwdriver set. A friend of mine in High School gave this set to me for my birthday, I think my 16th. His dad worked for Matco and there were a ton of Matco tools in his house. Anyway, it’s served me well, repeatedly, for over 25 years now. It’s a super useful set of screwdrivers (the pen not so much, I’ve never used the pen).

Albums

Taylor Swift – 1989 (Taylor’s Version)

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Taylor Swift’s 1989, an album so nice I bought it twice. I may actually go in on buying it a third time later with a digital copy. Arguably her best album, though fans will of course argue over that until the end of time, it’s certainly my favorite Taylor Swift Album. I have them all, and I’ve listened to them all, quite a lot. Taylor Swift ranks quite high on my Last.fm all-time scrobbles (#4 I believe). The original version of this album, 1989, is carrying a lot of the blame for that.

The recent release of 1989 (Taylor’s Version) is the 4th re-release of this style. In case you’re not aware of the whole situation, the general gist is that after her 6th album, Reputation, Taylor left her original record label, Big Machine. For whatever reason, they refused to sell her the rights to the masters of her songs. She still owned the rights to the songs, just, not the original recordings. Rights are weird man. So a few years ago, on the new label, she started effectively re-releasing those albums, each subtitled, “(Taylor’s Version)”. Previously, we have gotten, Fearless, Speak Now, and Red. I can’t imagine Reputation and the original self-titled album Taylor Swift, can’t be that far behind.

These are not straight re-releases though. Due to the nature of it all, it’s all been freshly re-recorded. This is actually a lot more obvious with albums like Fearless and Speak Now, which are quite a bit less “twangy” in the (Taylor’s Version) releases. There is definitely a cleaner sound for the 1989 Re-recording, but it’s much closer to the original. Another aspect of all of these releases however is the inclusion of additional tracks, or “From the Vault”. 1989 is a bit lighter on these tracks than the previous albums with only 5 Vault Tracks, but it does include the three tracks originally only on the Deluxe edition of the original release (which is what I had previously, on CD).

I don’t plan to rack up Taylor Swift Vinyls like other artists I like, but as 1989 is my favorite Swift album, I’ve opted for the Vinyl release on this one, specifically the green edition. I’ll probably pick up the digital FLAC version eventually like I’ve done for the previous Taylor’s Version albums, (everything else is on CD), but for now, Spotify works for regular listening.

The album itself is nice, the records themselves on this edition are a nice light green color. When opened there is a nice spread of photos, with a record on each half inside. Each of the sleeves has the song lyrics scrawled across them. The box also contained a few small paper stars for some reason. Like large confetti pieces. Part of the reason I picked this version was also because I like the front image on this cover better than the normal edition release (which I think has blue records).

There are way too many tracks to cover all of them, and frankly, I’m not a super fan of doing that style of write-up anyway. I’ll just say that I do enjoy pretty much every track though, which shouldn’t be surprising since I’ve essentially heavily implied it’s kind of a top-tier album on my list of favorite albums. Instead I’ll touch on some of my favorites. I’ll just start off and throw out there that probably the most popular tracks on the album, Shake it Off, and Bad Blood, are probably my least favorites on the album. I like both, but they are kind of low on my list.

Probably my favorite track on the album is Style. I really love the low-key even flow of this track. It has a really nice running beat going through it. I also really like its follow up Out of the Woods. The little story it tells along the way is fun, I’m a sucker for that sort of thing, and it has some really fun builds and falls through its run.

Another one that’s high on my list is Wildest Dreams. I love the airy feel of this one, and it also has a good feel that reminds me of Style. One of the Vault Tracks I can see becoming a favorite as well for this reason, Is it Over Now? really reminds me of Style as well. I have no idea of the writing process behind these, but I could actually see Style and Is It Over Now? as having the same root, and it was maybe decided to only keep one on the original release.

The last track I want to mention on my list is New Romantics. It was originally only on the Deluxe release of the album, I really love the theme and build-ups on this track. The little break moments with the “Ahhh ah ahhh ahh”s. It’s also frankly, kind of a better anthem of “Don’t sweat the small stuff” than “Shake it Off” is.

For the sake of mentioning another of the Vault Tracks, I’ll mention “Slut!” I suppose, which seemed to be sort of getting pushed as a release signal. It’s an alright track, but it’s a bit slow for my tastes these days. It’s definitely a slower, almost plodding track than a lot of the others, though the overall feel does fit with the other tracks of 1989.

All in all, the album is still great. It doesn’t add quite as much as the previous Taylor’s Versions, but it was already such a strong album it would be kind of hard to add much.

Live Shows Weekly Wrap Up

2023.09.24 – Weekly Wrap Up (09.17.2023 – 09.23.2023)

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I am bad at selfies.  I added one last week to these little journal posts and I wanted one for this week but they are kind of bad.  Or maybe I am just bad at looking excited.

Anyway, I’m not late, I am intentionally not on time, because I was busy yesterday.  I spent almost all day in Champaign (Urbana technically) at the Pygmalion event at the Rose Bowl Tavern.  I’m actually not sure if there is one of these or more of them per year, but it’s apparently the 19th year.  It’s a little craft vendor fair alongside a bunch of musical acts both indoor and outdoor.  I primarily went to see Lauren Mayberry’s first solo tour.  But I also like music, so I went early to see all of the outdoor shows.  There was swap flip-flopping between in and out on the schedule, I didn’t want to lose my spot up front, so I just stayed outside.  There were other Lauren/CHVRCHES fans there doing the same, which isn’t surprising.

Overall I saw 6 acts total, one of the scheduled outdoor acts, ggwendolyn, had to cancel.  This also meant the schedule got compacted up and while it was originally supposed to start at 1:45, things didn’t start until 2:45.  So I got there early, and then got to wait a bit longer than expected.  Not a huge deal.  I got to watch them doing the soundcheck, which, at least for me, was super interesting.  This guy, we’ll call him Bob, because that was his name, everyone on stage called him that, would go around checking mics and making sure things work then he’d head into the “crowd” and have band members do tests to balance things out.  Then they would all adjust their little personal directional speakers for levels on the various tracks (vocals, drums, guitars, etc.) on a personalized basis.  All from a little portable wireless pad.  It was neat.

Also, I say “crowd” because at this stage of the day, there were, maybe 20-30 people mingling around the small parking lot area where the shows took place.    As the day went on, the bands became clearly more and more professional about how they operated, and basically just, produced better and better sound.  As as that progressed, the crowd size grew and grew.  It was fun to watch actually.  From fairly basic setups to more and more complex setups, from using the house speakers for the feedback audio to using in-ear headsets.  From just, checking the watch after every song to see how much time there was to play, to having a full-on set list, ready and set up and available.  From random comments about writing up songs because of “X”, to having full-on fun little stories.

Anyway, I saw, in order:

  • Emily the Band – She mentioned that she went to school at U of I in Champaign and had played at the Rose Bowl Tavern a few times, so they seem to more or less be a local band.  It was the first time they got to play on the main stage.    I enjoyed their set and they seemed like they were having a fun time all around.
  • Fiona Kimble – She was alright, though probably my least favorite of the day.  The easy comment here is, it felt like there were too many people on stage, but then she said the pianist had come in special and they did a couple of duet songs, so well, maybe it felt like too many people because they had a bonus person in their set.
  • Lutalo – I really enjoyed his set.  It was very low key, basically finger-picking folk music on an electric guitar.  Dude seemed to really get into his songs too.
  • Tim Atlas – Dude was really good, and they hit all the right notes of having a band that felt like they all were really having a good time while putting out some good, varied music.  The guitarist also had a talk box (think Peter Frampton, Do You Feel Like We Do), for one song, which was fun.
  • Claud – The only artist I managed to get around to listening to before the show, and it’s funny how much that changes one’s perception.  I also found that I really enjoyed Claud’s music, from my before the show listening, and I was already kind of a fan, because it’s enjoyable.  I don’t really know why but it kind of reminds me of sort of, toned down a bit King Princess.  Just the vocal styling, the lyrics, and all that.  I want to listen to more of the artists I saw but probably Claud most of all.
  • Lauren Mayberry – Ok, Claud most of all, behind the obvious.  I tried to mostly avoid watching other people’s videos of Lauren’s solo tour, so I could mostly go into this show blind.  I had already listened to the one single, *Are You Awake*, and I had listened to *Crocodile Tears* beforehand.  It was all great, and definitely a good different feel from Chvrches.  Kind of reminds me a bit of Wolf Alice maybe.  Probably my favorite was the final track, *Sorry Etc*, which is one extreme end of the styling and very very “screamo punk rock” style.  The other end probably being *Are You Awake*.  Also, probably just because of where I ended up standing up front on the end of the stage when she came to my side of the stage, she seemed to be “angry face screaming” a few times like right at me.  

    Please don’t want to kill me Lauren, I’m sorry, etc.

Anyway, I’ll probably make a gallery of my photos at some point, though they aren’t real amazing, my phone’s camera isn’t super great.  I had asked them about bringing my proper camera and it was in the car but I decided it was too much of a hassle.  

I did have a fun good sign moment before the show.  I had stopped in a few stores over in Champaign before the show, and when I walked into Five Below, there was a familiar voice on the radio, with the CHVRCHES/Marshmallow collab track Here With Me.  It took me a minute to place the song because I don’t really listen to it, basically ever.  I keep forgetting it exists, which is funny because in some ways it may be the most popular CHVRCHES track due to the Marshmello exposure.

The rest of the week was relatively uneventful aside from Friday evening.  I went and met up with my parents and brother and a couple of my nieces and we went to watch the Route 66 Carshow parade in Springfield.  I didn’t end up taking any photos, but it was fun.  Basically, a lot of the classic cars that are in the show itself all just, drive to downtown.  They go a pretty good distance, as they start down near Dirksen and Stevenson Drive and go downtown.  I realize this is meaningless to most people but this means they go 3 miles or so up Stevenson and then 3 miles or so up 6th Street to downtown Springfield.  It’s a good distance on some main throughways in the city, especially for a bunch of classic show cars.  Also, there is a police presence, but they also don’t block the roads, so there are just, regular cars driving around them.

I’m sure I’ll write up on it eventually, but I also kind of spur of the moment updated my PC from Windows 10 to Windows 11. It’s mostly the same honestly. I hate how I can’t dock the taskbar to the side though and I immediately changed is the centering on it though because the centered icons is functionally garbage and it’s ugly as shit. I also found a cheap price to update it to the Pro version from Windows Home. There are a few virtualization things that are only in Pro, but also only Pro allows for Remote Desktop access. It’s actually something I have been wanting to do even in Windows 10, for the same reasons. Also, in theory, I think Pro has fewer ads stuck in it, because well, you’re paying for it.

On Friday before going to Springfield I had the day off so we also put out the fall decorations around the outside of the house, though they aren’t completely finished. Also a few indoor ones but my wife does all that, I just haul totes around for that.

Activity Log

I’m not going to go into it all, but one of the stores I went to was Ollie’s.  Which I’ve been to elsewhere years ago when traveling, but this one opened up recently, closer to where I live.  It’s basically a closeout store, lots of stuff for like, 75% less than what it would have been originally.  They had a ton of Marvel Legends I didn’t care much about, and a few Star Wars Black Series I didn’t care about.  What I did pick up was a pile of Fortnite stuff.  Also, they had a bunch of Eternals Marvel Legends, which I have most of from previous markdowns, but I picked up Ajak, which was the only one I didn’t have.  I kind of really like the design of the Eternals, but I they are also all very samey looking, with almost no accessories, which made the figures a huge turn-off at the standard ML pricing.  I’ve managed to collect them all at like half price or below, which is just fine for me.

Not much else otherwise this week.

Albums

CHVRCHES – The Bones of What You Believe

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I feel like at some point I should get around to covering the rest of the CHVRCHES album lineup aside from Screen Violence. In proper fashion, I’m going to roll it back to their first album, The Bones of What You Believe. It’s appropriate because it’s the 10th anniversary of the album. I actually can’t say accurately when I first listened to CHVRCHES, though I can say I only recently started caring about them. I know that when I started to care, I realized that I already had at least one album I had bought on Amazon. So at some point, they showed up in a $5 album sale, and I decided I liked the sound and impulse bought it.

It’s probably worth mentioning that the album also recently celebrated its ten-year anniversary.

I also know that for a while I was aware somewhere of a band called “Churches” because for some reason I thought maybe they did that song Take Me to Church, which is actually by Hozier. This is based entirely on the whole Church/CHVRCH thing.

Whatever the case, while I probably heard their more popular tracks starting from this album, I didn’t really start listening until much later, though before the Screen Violence era. Anyway, after I started listening, shortly before Screen Violence, probably at the recommendation of folks in the Sigrid Discord, they quickly shot up to the top tier of my favorite artists. They are currently 2nd on my Last.fm scrobbles. I imagine that another influence was my obsession with Forza Horizon 4, which features Never Say Die, from Love is Dead.

I would say it’s hard to pick a favorite song from the album, except the track Gun is on this one, and it’s my favorite CHVRCHES track, so that’s pretty easy to pick. I just really love the metaphor of the hook. You fucked up, and you’re going to pay for it.

Maybe my second favorite track on this album is Tether, though it wasn’t always. It’s sort of grown into that place. I just absolutely love the build from calm and slow to the break at the peak. I also really enjoy the vocal effects and overlapping sounds of this one.

There are plenty of fan favorites and other notable tracks though. Their first big single, Mother We Share is such a good opener to the album with the echoing vocals. I particularly like the up-and-down background rhythms and the slappy fake clap beat that runs throughout. I want to say Lies, was the first track they actually performed during live sets, and while it’s popular, it’s probably one of my least favorite tracks on the album, because it’s very repetitive and flat in it’s overall presentation.

A few more of the more popular tracks are Night Sky, which I believe took 2nd place for most popular in the CHVRCHES Discord tournament (behind Clearest Blue). Science/Visions goes incredibly hard, and is pretty amazing live as well. Recover was the second single from Bones and has some following but it reminds me a lot of lies in that it’s a bit repetitive and it’s lower on my list of songs I enjoy. Another really good one is We Sink, which drives pretty hard and really shows off the CHVRCHES sound well.

Also notable is how many Martin lead songs are on this album. What I understand reading the history of the band, is that Martin was going to be the lead vocals before Lauren came along. There are two tracks from Martin on the base version of this album, Under the Tide and You Caught the Light. The Deluxe version adds the previously released track Zvvl, and the 10th-anniversary release adds in the previously unreleased Manhattan and Talking in My Sleep. That’s quite a few Martin tracks from the early era of CHVRCHES. It certainly would have been a different band without Lauren.

Another that I’ve started enjoying a lot more lately, though it seems contradictory since I dislike the repetition of Lies and Recover is Tightrope, though it’s only on certain bonus versions, and is a cover of Janelle Monáe. I just rather like the “T-t-tightrope” stutter lyrics and the varying vocals in the “high or low” bits.

All in all, like most of CHVRCHES music, it’s pretty much all good. I’ve been listening to this album for a while, and I’m looking forward to the upcoming 10th-anniversary re-release and all it entails.

Music Monday

Music Monday – One Take Edition

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I am an absolute sucker for one-take media. Movies and music. I’m sure this won’t be the last time I do a series of one-take videos. I prefer it when the one-take is real, but sometimes well-hidden cuts are acceptable.

Dodie – Cool Girl

I just love this song and this video. I really enjoy this style of sort of, “raw dancing” where it’s a little messy and unstructured. I also like the sort of, symbolism of Dodie being slightly “off” from the other dancers, it fits with the themes of the lyrics and theme of the song. It seems intentional because she will be slightly off, then in perfect sync, then off again. Or maybe I’m reading too much into it. The song itself is really good as well. It starts out so light then the thumpy beat comes in and it builds up nicely from there.

Total side note, I am slightly enamored with the chest of drawers and nightstand in the opening bit. I have a collection of photos of furniture I have come across in this style because it seems weirdly prolific in the vintage furniture market for some reason.

Kiesza – Hideaway

I think this may be the first video I watched that turned me on to Kiesza’s music.

Something I find amusing about this whole video is that I am pretty sure that a lot fo the non-dancers, are just, people who were out and about. The dudes trying to go to their car. The person ho runs through he shot on the skateboard. One tell for this is how at the end, the Taxi almost gets caught in traffic and almost misses the cue. Also everyone seems to be having a good time, which I like.

OK Go – The One Moment

I could do an entire month’s worth of Music Monday posts on OK Go, instead, I’ll just sprinkle them in here and there. A lot of their videos are one-take videos or fake one-takes. This one is pretty amazing because it’s an extremely fast one take, that’s slowed down.

The behind-the-scenes for OK Go are almost always fascinating as well, or at least, the engineering part of my brain thinks they are. Like all the math that was needed to get the timing for this video down so it would work in the slowed-down version. I mean, I am sure there is some fudging going on, but it’s doing to be damn close.

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