Record Store Day 2023

Today was Record Store Day.  It’s moistly just, a “promotional” sort of deal for local record shops, and not really like, a “real holiday”.  I decided I would go ahead and give it a go.  There were a couple of pretty inexpensive albums that I was interested in and I’ve recently (finally) picked up a record player after many years of “I should get a record player”.

Man, now I’m just getting layers and layers of things to bring up here.  Maybe it’s best to just start at, “Why vinyl?”

I guess it’s almost, “Why not?”  Ok, there are plenty of reasons why not.  It takes up a lot of space, it’s not portable, it’s not particularly cheap, it’s not skip-able, etc etc.  Some of these are advantages though.  I listen to mostly albums anyway, why not buy a format that lends itself to album listening?  Space and cost are less of an issue as well, I don’t intend to go nuts on buying records.  There is nothing that I just HAVE to have.  If I could get an ok deal, on some things, I might buy it, but there is nothing I am desperate for on vinyl.  I’ve already had a few records for a while, Pink Floyd’s The Wall, and Dark Side of the Moon, A promo single from Mortal Kombat Annihilation, and slightly more recently, the soundtrack to 2001: A Space Odyssey.

I also recently bought a player for these albums.  I found one that fit what I was looking for at a garage sale and got it pretty cheap, it’s a nice little entry level Audio-Technica AT-LP60.  The main thing I wanted was a stand alone unit like this.  It takes up less space, and I already have speakers that are much nicer than most of the self contained units I come across.  It operates perfectly for my basic needs.

I had looked over the list online, and the price list I had found, and basically only wanted 2 albums.  Dodie’s Hot Mess EP, and the Arooj Aftab – Live in London EP.  I am going to skip the boring details behind these choices for now because I may do some album write ups in the future but these two were both affordable at under $20 each and both were artists I enjoy.  I had a few others lined up as alternative options or maybe if I felt spendy, but I ended up either not finding them or passing on them.  I also decided that I would go ahead and get the Taylor Swift Folklore album, if it was there, despite it being a bit more than I wanted to spend.  The price didn’t matter, it was sold out.  People camped out overnight for that thing.  CRAAAZY People…..

I was a bit worried during the lead up.  The store had been posting photos online as they unboxed everything and I had seen neither of these albums shown.  This was especially annoying because Dodie’s album was listed as “Regional Focus” and she was doing a live show off in London FOR Record Store Day.  Which sort of suggested, “Hot Mess” may be “Regionally focused to England.”  Friday night though, both albums showed up as being available.  So I was set to go.

The store opened at 8AM.  But it was also a 45 minute drive away in the next city over, and I didn’t have anything on my list that I needed to be there super early for anyway.  I arrived around 8:30, and there was still a line down the block, which was a little discouraging.  I had driven all this way though, how long could it take?  It didn’t help that it was also very cold, and I had not brought a jacked, though I was wearing a flannel shirt, in classic “I’m a 90s teen” fashion.  

The line took, a very looooong time.  It was something like 2 hours before I got in the store.  Thankfully, I got to chat up some nice strangers while waiting.  We made jokes, and talked music and concerts and records and talked other things.  Funny enough,, I never got any of their names.  There was one lady who had been at the hospital nearby and her husband had asked her to come down here and see if she could get a KISS related album.  I get the impression she did not manage to, I never saw her in the store and she had been trying to recruit me or the other dude to buy her a second copy since it was limit one.  Then there was “The other dude”, whom I really enjoyed talking with.  Talking with him was like looking at a mental and verbal mirror, though we looked nothing alike.  He was disappointed that people would leave the store and not look happy and not show off their hauls.  He ended up checking behind me and as I was leaving, I reminded him to do his fist pump as he left for the crowd outside.  There was also a younger girl who reminded me a bit of my daughter, with her slightly eccentric dress and mannerisms.  The notable store for her, she was wearing these flowered pants.  As we got closer to the store entrance, she mentioned being friends with the worker managing the store entrance.  The employee finally noticed her in line and they exchanged some pleasantries, and the employee mentioned “I like your pants”.  The young girl said thanks, then opened the front of her jacked and exclaimed, “They aren’t just pants, they are overalls!”  And everyone got a kick out of that, and the reaction of the employee.

It’s really kind of funny that we never got anyone’s names, because the other dude said something that really stuck with me.  He talked about writing some books as a hobby, and not really wanting to be a famous writer because he liked the anonymity of just, not being known.  He mentioned enjoying just sort of the basic human interaction, he had a better phrasing that I’ve forgotten.  And here we are, a small group of strangers, bonding over a shared event, passing ships on the ocean, with no real clue who we all really are.

Anyway, my turn finally came up, I went in.  The RSD Exclusives were in bins sorted alphabetically, and the front of the alphabet was open.  I quickly thumbed through the A-B bin and found my Arooj Aftab record.  The only one in there, I have no idea if there had been more earlier.  I picked it up and slid down to C-D looking for Dodie, and like the Arooj Aftab album, there was one copy of Hot Mess.  This meant mission accomplished for the day, anything else was a bonus.  The end of the alphabet was open so I slid on down there and started working my way back towards “A-B”.  No Taylor Swifts.  There was a NENA – 99 Luftbaloons I seriously considered but decided to skip.  I almost got the Garbage EP, I do like Garbage.  In the end, I decided on no more exclusives, and went over the the main part of the store.  I checked for any CHVRCHES or Aurora albums they might have and came up empty there.I checked through the “recent arrivals” and there were a few interesting ones but I decided I would wait for now.  There was a line outside, only 20 people allowed in at a time due to the store size, and I didn’t really need to linger.  I headed to the checkout table.

The Other Dude ended up behind me in line, he had a couple of albums picked out.  The real oddity here was the person in front of me.  So the store WAS having 10% off everything not RSD related.  So if you’re a collector, that would be a good time to pick up some other stuff.  The guy in front of me was buying, cassettes.  ONLY cassettes.  They seemed to be like, $1 each, and he spent a whole $8 and some change.  Like dude…..   dude…..  dude…. I am sure your cassette choices are great….  but did you just stand in line for possibly 2 hours, to spend $8 on used cassette tapes?  That 10% didn’t even save a dollar and there are a LOT of people here waiting to spend hundreds of dollars.

It seemed, very odd.

After finishing up, I went back to my car and drove around the block to…. The OTHER record store in town, Recycled Records.  This store was not participating in Record Store Day, because it’s closing in like a week.  It’s been around in town for a very long time.  I thought I had read they were doing 50% off, there was no indication that this was the case at all, anywhere.  I didn’t end up buying anything.  Not for trying, but I just didn’t find anything that jumped out at me.  There was a Radio Head vinyl I would have bought at half price, but it seemed new Vinyl was only 10% off.  They didn’t have any of the other artists I looked for unfortunately.

Afterwards I headed out to spend a few hours at my parent’s house just hanging out before heading home in the late afternoon.

Just one last bit, I’ll talk about the albums themselves later, but they are both very cool disks, and I can understand why people buy these special versions like this.

Wolf Alice – Blue Weekend

Released – 2021.06.04

Though Wolf Alice doesn’t really sound a lot like CHVRCHES, I had enough people in the CHVRCHES fandom channels suggest them as a good group, so I opted to go ahead and give this group a try with their (as of this time), latest album, Blue Weekend. Released in 2021, this is the group’s third full album. They have a sound that reminds me quite a bit of groups like Metric and Garbage.

As mentioned before, the sound isn’t really the same as CHVRCHES, but it’s sort of similar, so I can definitely see the cross appeal. There is some electronic sound to Wolf Alice, but overall its a lot more, Alternative Rock sounds, with a really interesting sprinkling of more mellow folksy-ness to it. In face, despite it’s few points of more aggressiveness, and one single extremely aggressive track, the whole album is a very nice mellow rock album.

Overall, I find Wolf Alice and Blue Weekend to be a pretty good overall album. It has a slick sound all round, though the previously mentioned “extremely aggressive track” feels almost out of place. The whole album has this really interesting fill/reverb going on for a lot of parts with the groups’ vocalist Ellie Rowsell. It sounds like there are several people all singing at once but it’s just the one, for the most part. Which I particularly enjoy.

I’ll touch on some of my personal thoughts on individual tracks going forward.

The album opens with The Beach, which is a really nice big build up track, which starts out quietly subtle but is nice and full and busy by the end with a really great sort of ethereal sound going by the end. It’s a nice fit for the opening track.

The second track Delicious Things follows up along with a much more even and regular flow and pace from a lot of the other tracks on the album. Though a lot of the nice guitar work that exists in this entire album starts to show it’s head here with it’s layered sounds running throughout. It rolls almost continuously directly into Lipstick on the Glass, something I don’t believe really happens elsewhere on the album. I particularly like how this song switches between it’s flowing low key moments then bounces off into the fuller chorus moments. It’s one of my favorite tracks on the album.

It’s followed up by the fourth track, Smile, which is definitely my favorite track of the album. It’s a lot heavier in sound than most of the rest of the album, but not overwhelmingly so. It also features a lot of excellent guitar work throughout, but a lot at the climax. There is a really nice bass guitar bit near the end. It comes in fast and hard and doesn’t stop and I love it.

The follow up though takes quite a bit different direction, and sets the tone for the rest of the album where things are a bit more low key with Safe From Heartbreak. Which is a lot more even toned throughout and features a nice low key picking guitar line throughout. This is part of where the “folksy-ness” starts to show a lot more as well in these back end more low key tracks. A lot of the vocals also feature a nice almost a ‘Capella sounding harmony to them. The low key sound continues in the next track How Can I Make It Ok?, though there is also a bit more build up in this one as the track goes along. The sound layering in the peak end of this track is nice, it’s a bit on the album that I enjoyed a bit extra.

Then there is our “excessively aggressive” track, with Play the Greatest Hits. Don’t get me wrong, I actually really like this track. It just feels, weirdly places in the middle of all of these much more mellow tracks. It has a much more fast paced screamo punk sound to it, which also feels a lot different than the rest of the album.

The rest of the album rounds out with Feeling Myself, The Last Man on Earth, No Hard Feelings, and a reprise version of the opener with The Beach II. The second version of The Beach is quite a different song though, it’s not just, a slightly different version of the same song. Most of these last few tracks are some more much more low key smaller sound, though often with lots of interesting layering of guitars and electronic bits, which is a running theme of the album. No Hard Feelings is particularly good, just before the end of the album.

Dodie – Build a Problem

Released – 2021.05.07

I am not sure what first brought me to Dodie’s music, I know a lot of her fans came from her previous life as a regular YouTube Vlogger. I can say it was quite a bit before the release of Build a Problem. This is her first Studio Album, though she has released 3 previous EP albums, though the third one, Human, has most of her best known tracks, with Monster probably being her most well known. She also has a pretty large amount of additional “unreleased” tracks on YouTube and other channels.

This little bit of background is rather essential to some of what I want to talk about on this album, Build a Problem.

Anyway, I enjoy Dodie’s music enough that I had tickets to see her back in 2022, though things fell through and I could not make the show for a couple of reasons (COVID was ramping up again, and my wife had a medical procedure come up). Her music can probably be best described as modern emotional folk music. There is a lot of airy feel to a lot of her songs, and they incorporate a lot of more traditional acoustic style instruments along side some modern electronic mixing and layering. Most of the songs have a strong emotional push around relationships, loneliness, anxiety, depression, and being a bit of an “outsider” at times.

All of these themes are very much present in the themes of Build a Problem. The album open with a short interlude in Air So Sweet, before going into the first proper track with Hate Myself. It’s not the “title track” but it is where the album title comes from, where the phrase Build a Problem shows up as part of the opening lyrics:

Could it be different? Did I ruin the day?
Oh, do you look angry? Oh, what did I say?
Filling in the gaps, build a problem that
Neither of us need, something wrong with me

Hate Myself is one of the better tracks on this album, it’s showcases a lot of the strong parts of Dodie’s songwriting and layering in structure. I don’t know that it’s my favorite track, but it’s certainly up there. The theme of this track is basically the idea of being insecure in a relationship, and possibly overjudging one’s self based on the reactions of the partner. Essentially, building a problem, in one’s head, where a problem may not actually exist. Which only leads to more self hate and insecurity.

Though Hate Myself is a bit more upbeat and “poppy” sounding, things turn down and become a lot more reserved for most of the rest of the album. I’m just going to go over some of my personal highlights from the album with commentary on the rest after.

Probably my favorite track on the album, is Cool Girl. I just really like the way this song slowly builds over the course of the track from something relatively low key to something rather grand. I also really like the use of the stringed background instruments, which is also part of the overall build. The video is also a One Take, which is like my kryptonite for video media, so that pushes up my enjoyment even more.

The next few tracks, Special Girl, Rainbow, and Four Tequilas Down are all pretty good.

The two “bonus” tracks, Guiltless and Boys Like You round out my list of actual “top tracks” on this album. I believe they are “bonus” in that they have both been released for a while, they just, never had a proper album release. Guiltless has a lot of really fun and interesting structure to it. The lyrical sections are kind of quiet and quaint before dropping into this fuller chorus moments. It ends with this really fun little layered loop of some of the lyrics of from the track previously.

Boys Like You has a decidedly different feel than the rest of the album but it’s still a great track that does deserve to be on an album. It’s quite a bit more punchy in it’s melody than the previous tracks, and feels a bit like a different era of Dodie.

So, as for the other tracks. I have the ALOSIA (A Lot Of Songs In A Steam) Deluxe version of this album, but for now I’m just referring to the other tracks on the album itself. I really like the tracks mentioned above, I kind of really dislike most of the ones I didn’t mention. I do like this album, but it also feels like, another EP’s worth of tracks, with a bunch of half finished tracks intermixed in to pad it into an album. This isn’t really a criticism of Dodie by any means, and maybe it’s just that I just don’t resonate with these tracks for whatever reason.

It doesn’t really harm the album as a whole, especially since you know, we live in a digital age where it’s easy to pick out the tracks one most enjoys. It just feels like maybe there was some sort of behind the scenes deadline that came up too fast and things maybe could have felt a bit more complete in places.

Paramore – This is Why

Released – 2023.02.10

Paramore’s 6th album, This is Why is certainly a testament to the chaos and craziness that has enveloped society in the past few years. With 6 years since the previous album, there has certainly been a lot going on and it shines brightly through in the themes of a lot pf tracks on this album.

It opens with the title track, which sort of sums up the overall feel of what is about to be presented, This is Why (I don’t leave the house). With lyrics suggesting that the opinions of people in the world have gone off the deep end a bit and become just a bit scary hear.

It keeps up the theme with the second track, The News which tears apart the media a bit with its constant need to emphasize everything awful in the world and drive people to constant fear. It also keeps a bit of the thread from This is Why with its bit:

Far, I’m far So far, from the front line Quite the opposite, I’m safe inside But I worry, and I give money And I feel useless behind this computer

Where our hero is still keeping it safe, by not leaving the house. This theme of reclusive paranoia follows through on the tracks You First and C’est Comme Ça (It is what it is).

The 5th track on the album is one of the most amusing, tracks on the album Big Man, Little Dignity, which is themed around the idea that the “big man” thinks he is hot shit, but he is not as great as he thinks he is. Dignity is also used as an amusing euphemism, with the big man’s ” li-li-li-li-little dignity”.

I touched a bit on You First but I wanted to throw in there I find it amusing that it has the lyrics ‘I’m both the killer and the final girl” given the theme of CHVRCHES Screen Violence, which even has tracks called “Killer” and “Final Girl”.

From a purely sound and structure perspective, I think Figure 8 is one of my favorite tracks on the album. It sort of rebounds between flowing lyrics and a bunching chorus. I rather like how blunt that transition is and how the track just sort of keeps pushing along.

Liar takes a much more mellow tone from the previous tracks, which is a trend that continues along through Crave and Thick Skull to close out the album. Thick Skull being an interesting and dramatic ballad that serves as an almost self reflective song.

Overall, I enjoy the whole album, but think I enjoy the front half a bit more than the back half, even though the back half probably has the better songs, they just aren’t quite as “catchy”. Funny enough, because all fo the singles from this album come from the front half. I can’t really compare it too much tot heir previous albums as the only one I have any real listening time with is Riot!.

The Annual Playlist for 2023

A few years ago, I was sorting through some older music, and came across old Mix Tapes and CD-Rs.  It’s really fun because unlike digital music, these are essentially static playlists.  This is a window into what I was listening to at that time.  And no, you didn’t misread that, Mix Tapes.  and they were mostly from the 90s era.  My first car didn’t have a CD player, it just had a cassette deck.  Teenage me would regularly visit the local library and check out a variety of CDs, then spend the week picking out my favorite tracks and recording them to tapes.  I also recorded some from the radio.  I had a stereo with a dual cassette deck so I could easily copy some back and forth among my tapes.

Here is a fun blast from the past for ya. I had a thing for a while where I would make little custom art for my tapes too, most of them had Gunsmith Cats artwork but I also did some for Dance Dance Revolution as well.

Something really amusing I noticed here is that “Car Tape 3” includes 2 Alanis Morrisette songs, both of which are on my 2023 playlist (below).

Digital playlists aren’t quite as robust.  They are honestly kind of a pain to deal with over time, because the files can move around and then the playlists essentially just break.  But I did try to sort of replicate the experience of an annual playlist after the nostalgia trip of these tapes and CDs.  Basically, usually sometimes in January, I make a new playlist for the year, simply named, for example, “2023 Playlist.”  For the first few I would star with the previous year and seriously trim it down.  More recently I just start from scratch.  The idea is, it can evolve over the year though.  Essentially, i start with a “best of” from previous years, music I want to listen to “now” in January, then over the course of the year, I might remove some songs, and I might add some songs.  

The bigger point is, I have the old lists, if I wanted to go back and listen to things, though, that would also still have the digital music problem of, “The music was moved/removed and the list is broken.”  

But at least I do still have the list.      

More recently though I have been thinking of sticking these in a more meaningful file for future nostalgia (Ironically, a song that I debated adding to this year’s list but decided not to in favor of other Dua Lipa tracks).  Probably some sort of simple Excel file or something, then I can eventually manipulate the listings in 5 year when I decided to do some sort of retrospective blog post and list out “This song was on 8 out of 12 Playlists!” sort of nonsense.

For now, I wanted to just, post the list, for the start of this year.  I’ll alphabetize it by artist, but the order doesn’t matter, these are always just played on shuffle.

Alanis Morissette - All I Really Want
Alanis Morissette - Ironic
Alice Merton - No Roots
Alice Merton - 2 Kids
Alice Merton - Funny Business
Alice Merton - Easy
Alice Merton - Lash Out
Aurora - The Woman I Am (Vevo Live)
Aurora - Giving In To The Love
Aurora - Cure For Me
Aurora - A Temporary High
Aurora - Blood In The Wine
Aurora - Animal
Aurora - Hunger
Aurora - The Seed
Aurora - I Went Too Far
Aurora - Murder Song (5, 4, 3, 2, 1)
Aurora - Gentle Earthquakes
Aurora - All Is Soft Inside
Aurora - Churchyard
Avril Lavigne - Here's To Never Growing Up
Avril Lavigne - Things I'll Never Say
Bt - Never Gonna Come Back Down
Bt - Movement in Still Life
Bt - Satellite
Bt - Smartbomb
CHVRCHES - The Killing Moon (Amazon Original)
CHVRCHES - The Mother We Share
CHVRCHES - Gun
CHVRCHES - Recover
CHVRCHES - Killer
CHVRCHES - Screaming
CHVRCHES - Bitter End
CHVRCHES - Violent Delights
CHVRCHES - Good Girls Explicit
CHVRCHES - Death Stranding
CHVRCHES - Never Ending Circles
CHVRCHES - Clearest Blue
CHVRCHES - Graffiti
CHVRCHES - Forever
CHVRCHES - Graves
dodie - Monster (Vevo Live)
dodie - Hate Myself
dodie - Cool Girl
dodie - Monster
Dua Lipa - Physical
Dua Lipa - Good In Bed Explicit
Dua Lipa - Cool
Fred V & Grafix ft. Ruth Royall - Sunrise (Season Mix)
Griff ft Sigrid - Head on Fire
Juno Reactor - Guardian Angel
Juno Reactor - Samurai
Katy Perry - Electric
Kim Petras - Icey (Vevo Live)
King Princess - PAIN
M83 - Midnight City
Magdalena Bay - Killshot
Magdalena Bay - Mercurial World
Metallica - Enter Sandman
Metallica - The Unforgiven
Neil Frances - On the Lookout (feat. Raffaella)
Nigel Stanford - Automatica
Nirvana - Smells Like Teen Spirit
Nirvana - Come as You Are
Nirvana - On a Plain
Orla Gartland - Things That I've Learned
Orla Gartland - You're Not Special, Babe [Explicit]
Orla Gartland - Pretending [Explicit]
Orla Gartland - Flatline
Paramore - Misery Business
Radiohead - Everything In Its Right Place
Raffaella - Grown Up (Vevo Live)
Raffaella - Blonde (Vevo Live)
Raffaella - Hell Yeah
Raffaella - Sororicide
Raffaella - Bardot
Raffaella - BUICK
Sigrid - A Driver Saved My Night (Vevo Live)
Sigrid - It Gets Dark (VevoLive)
Sigrid - Deep
Sigrid - Dip My Heart in Confetti
Sigrid - Dancer
Sigrid - Mistake Like You
Sigrid - A Driver Saved My Night
Sofi Tukker - Hey Lion
Sofi Tukker - Awoo (feat. Betta Lemme)
Taylor Swift - Getaway Car
Taylor Swift - This Is Why We Can’t Have Nice Things
Taylor Swift - New Romantics
Taylor Swift - Fearless (Taylor’s Version)
Taylor Swift - Love Story (Taylor’s Version)
Taylor Swift - You Need to Calm Down
Taylor Swift - Lavender Haze
Taylor Swift - Anti‐Hero
Taylor Swift - Vigilante Shit
Taylor Swift - Mastermind
Tessa Violet - Bad Ideas
Tessa Violet - Games
The Cranberries - Dreams
The Cranberries - Zombie
Wolf Alice - Smile